Monday, February 29, 2016
ACADEMY AWARDS 2016
OSCAR NOMINEES 2016
Best Picture
The Big Short
Producers: Brad Pitt, Dede Gardner and Jeremy Kleiner
Bridge of Spies
Producers: Steven Spielberg, Marc Platt and Kristie Macosko Krieger
Brooklyn
Producers: Finola Dwyer and Amanda Posey
Mad Max: Fury Road
Producers: Doug Mitchell and George Miller
The Martian
Producers: Simon Kinberg, Ridley Scott, Michael Schaefer and Mark Huffam
The Revenant
Producers: Arnon Milchan, Steve Golin, Alejandro G. Inarritu, Mary Parent and Keith Redmon
Room
Producer: Ed Guiney
Spotlight
Producers: Michael Sugar, Steve Golin, Nicole Rocklin and Blye Pagon Faust
Best Actor in a Leading Role
Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Best Actor in a Supporting Role
Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, The Bridge of Spies
Sylvester Stallone, Creed
Best Actress in a Leading Role
Brie Larson - one of Variety's 10 to Watch at HIFF
Best Actress Oscar for Room
TO WATCH IN 3D
CARDBOARD
Click on the three dots in the upper right
GEAR VR
Click on the square in the lower right, then on 3D in the lower left.
Brie Larson, Room
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn
Best Actress in a Supporting Role
A ROYAL AFFAIR
Photo by Eric Roffman
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Rachel McAdams, Spotlight
Alicia Vikander. The Danish Girl
Kate Winslet, Steve Jobs
Best Animated Feature Film
Anomalisa
Boy and the World
Inside Out
Shawn the Sheep Movie
When Marley Was There
Best Cinematography
Carol
The Hateful Eight
Mad Max: Fury Road
The Revenant
Sicario
Best Costume Design
Carol
Cinderella
Danish Girl
Mad Max
The Revenant
Best Directing
Adam McKay, The Big Short
George Miller, Mad Max
Alejandro Inarritu, The Revenant
Lenny Abrahamson, Room
Tom McCarthy, Spotlight
Best Documentary Feature
Amy, Asif Kapadia and James Gay-Rees
Cartel Land, Matthew Heineman and Tom Yellin
The Look of Silence, Joshua Oppenheimer and Signe Byrge Sørensen
What Happened, Miss Simone?, Liz Garbus, Amy Hobby and Justin Wilkes
Winter on Fire: Ukraine’s Fight for Freedom, Evgeny Afineevsky and Den Tolmor
Best Documentary Short
Body Team 12, David Darg and Bryn Mooser
Chau, Beyond the Lines, Courtney Marsh and Jerry Franck
Claude Lanzmann: Spectres of the Shoah, Adam Benzine
A Girl in the River: The Price of Forgiveness, Sharmeen Obaid-Chinoy
Last Day of Freedom, Dee Hibbert-Jones and Nomi Talisman
Best Film Editing
The Big Short, Hank Corwin
Mad Max: Fury Road, Margaret Sixel
The Revenant, Stephen Mirrione
Spotlight, Tom McArdle
Star Wars: The Force Awakens, Maryann Brandon and Mary Jo Markey
Best Foreign Language Film
Embrace of the Serpent, Colombia
Mustang, France
Son of Saul, Hungary
Theeb, Jordan
A War, Denmark
Best Makeup and Hairstyling
The Mad Max: Fury Road, Lesley Vanderwalt, Elka Wardega and Damian Martin
The 100 Year Old Man Who Climbed Out a Window and Disappeared, Love Larson and Eva von Bahr
The Revenant, Siân Grigg, Duncan Jarman and Robert Pandini
Best Music - Original Song
“Earned It” from Fifty Shades of Grey
Music and Lyric by Abel Tesfaye, Ahmad Balshe, Jason Daheala Quenneville and Stephan Moccio
“Manta Ray” from Racing Extinction
Music by J. Ralph and Lyric by Antony Hegarty
“Simple Song #3” from Youth
Music and Lyric by David Lang
“Til It Happens To You” from The Hunting Ground
Music and Lyric by Diane Warren and Lady Gaga
“Writing’s On The Wall” from Spectre
Music and Lyric by Jimmy Napes and Sam Smith
Best Music - Original Score
Bridge of Spies, Thomas Newman
Carol, Carter Burwell
The Hateful Eight, Ennio Morricone
Sicario, Jóhann Jóhannsson
Star Wars: The Force Awakens, John Williams
Best Production Design
Bridge of Spies, Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo and Bernhard Henrich
The Danish Girl, Production Design: Eve Stewart; Set Decoration: Michael Standish
Mad Max: Fury Road, Production Design: Colin Gibson; Set Decoration: Lisa Thompson
The Martian, Production Design: Arthur Max; Set Decoration: Celia Bobak
The Revenant, Production Design: Jack Fisk; Set Decoration: Hamish Purdy
Best Short Film - Live Action
Ave Maria, Basil Khalil and Eric Dupont
Day One, Henry Hughes
Everything Will Be Okay (Alles Wird Gut), Patrick Vollrath
Shok, Jamie Donoughue
Stutterer, Benjamin Cleary and Serena Armitage
Best Short Film - Animated
Bear Story, Gabriel Osorio and Pato Escala
Prologue, Richard Williams and Imogen Sutton
Sanjay's Super Team, Sanjay Patel and Nicole Grindle
We Can't Live Without Cosmos, Konstantin Bronzit
World of Tomorrow, Don Hertzfeldt
Best Sound Editing
Mad Max: Fury Road, Mark Mangini and David White
The Martian, Oliver Tarney
The Revenant, Martin Hernandez and Lon Bender
Sicario, Alan Robert Murray
Star Wars: The Force Awakens, Matthew Wood and David Acord
Best Sound Mixing
Bridge of Spies, Andy Nelson, Gary Rydstrom and Drew Kunin
Mad Max: Fury Road, Chris Jenkins, Gregg Rudloff and Ben Osmo
The Martian, Paul Massey, Mark Taylor and Mac Ruth
The Revenant, Jon Taylor, Frank A. Montaño, Randy Thom and Chris Duesterdiek
Star Wars: The Force Awakens, Andy Nelson, Christopher Scarabosio and Stuart Wilson
Best Visual Effects
Ex Machina,
Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett
Mad Max: Fury Road, Andrew Jackson, Tom Wood, Dan Oliver and Andy Williams
The Martian,
Richard Stammers, Anders Langlands, Chris Lawrence and Steven Warner
The Revenant,
Rich McBride, Matthew Shumway, Jason Smith and Cameron Waldbauer
Star Wars: The Force Awakens,
Roger Guyett, Patrick Tubach, Neal Scanlan and Chris Corbould
Best Writing - Adapted Screenplay
The Big Short, screenplay by Charles Randolph and Adam McKay
Brooklyn, screenplay by Nick Hornby
Carol, screenplay by Phyllis Nagy
The Martian, screenplay by Drew Goddard
Room, screenplay by Emma Donoghue
Best Writing - Original Screenplay
Bridge of Spies,
written by Matt Charman, Ethan Coen and Joel Coen
Ex Machina,
written by Alex Garland
Inside Out,
screenplay by Pete Docter, Meg LeFauve, Josh Cooley; original story by Pete Docter, Ronnie del Carmen
Spotlight,
written by Josh Singer and Tom McCarthy
Straight Outta Compton,
screenplay by Jonathan Herman and Andrea Berloff; story by S. Leigh Savidge, Alan Wenkus and Andrea Berloff
Labels: Academy Awards, Oscars
Sunday, February 21, 2016
SAMSUNG VR - ANNOUNCEMENTS - Barcelona MWC 2/21/2016
Samsung continued its strong support of VR at the Barcelona Mobile World Congress. However there were no game-changing announcements.
Basically, they...
- improved the camera
- introduced a 360 x 180 2D camera, and
- live cast the session via Gear VR.
LIVE VR CASTING
It is exciting to see VR Live-Casting. However, the quality of the Samsung production was not as sophisticated as NextVR is beginning to achieve. The resolution was OK, not great. The camera placement was too far from the stage. And it appeared to be 2D, not 3D. (There was also a problem, separate from VR, watching the webcast on my computer, with the signal being lost several times. It could be my computer/connection but other webcasts have been OK.)
As discussed in an earlier story in QPORIT about NextVR, one important feature of 360 live-casting is that the camera be placed as if it were at the location where a viewer would most like to be, so that the main subject looks human-sized, as if you a few feet away. Usually that means putting the camera onstage. Or in row A, Center, standing. (Note: For 3D to contribute to the scene -- when it is there at all -- it is also valuable to have a number of items - or people- at slightly different distances to enhance the feeling of depth.)
GALAXY S7 PHONES
There were modest improvements in the phones...
- Faster processing
- Micro SD slot for extended memory
- An always-on mode
- Improvements in the phone's camera, especially in low light
- “Dynamic” panoramas
- A fisheye lens attachment
In addition, the pre-order bundle includes a free Gear VR!
THE GEAR 360 CAMERA
While mentioning the Project Beyond camera briefly, referring to it as available for "professional" use, Samsung introduced a new consumer VR camera, with two hemispherical lenses, allowing full spherical 360 x 180 degree coverage. Each hemisphere has a 1920 x 1920 pixel resolution. The S7 can be synced to the camera and will automatically stitch the image to a 2940 x 1920 video. It was not entirely clear, but it seemed as if the video can even be streamed live from the phone to a remote Gear VR. The Gear 360 camera should be available later this year.
WHAT'S MISSING
Next steps for VR to continue to improve include...
- A 3D 360 camera with
- automatic stitching,
- much higher resolution (10 to 100 times the number of pixels per frame than the Gear 360)
- the ability to live-stream a full spherical 3D image
- corresponding battery life and memory storage for 2 hrs at a time
- an affordable price
- An easy to use editor (editing, stitching, post production FX) for 3D full spherical videos
THE WEBCAST
https://youtu.be/O6KeASdz2AI
SAMSUNG HOME
www.samsung.com
PROJECT BEYOND
http://www.thinktankteam.info/beyond/
THE PROJECT BEYOND CAMERA
3D 360 ULTRA HD
Labels: Galaxy S7, Gear 360, Gear VR, Project Beyond, SAMSUNG, smartphone, Virtual Reality, VR