Thursday, September 26, 2013
FREEMAN DYSON: Dreams Of Earth And Sky
FREEMAN DYSON
Dreams Of Earth And Sky
September 27-28 2013
The Institute For Advanced Study
Freeman Dyson is being honored by the Institute for Advanced Study (IAS) on September 27-28, to celebrate his 90th birthday and 60th year at the Institute, with a two-day wide-ranging academic conference addressing his interests and profound contributions to physics, mathematics, astronomy, and public policy.
POST CONFERENCE NOTE
VIDEO AND OTHER INFORMATION
ABOUT THE TALKS IN THIS CONFERENCE
ARE AVAILABLE AT
Freeman is one of the most distinguished scholars in the world, whose advice is constantly sought after, and whose ideas have sparked an incredible number of fields. It is amazing how often you read an article about... (well) ... an astonishingly large selection of important ideas and find Dyson mentioned at the outset as one of the earliest contributors to the subject.
Starting as a mathematician as a young man, then becoming interested in physics, Freeman studied three new seemingly incompatible (and almost incomprehensible) approaches to making accurate calculations about the behavior of charged particles and photons (by Americans Julian Schwinger and Richard Feynman, and Japanese physicist Sin-Itiro Tomonaga). He synthesized their approaches into one single coherent and convenient technology for making incredibly accurate and precise calculations, raising quantum physics to a new level, and launching tremendously important progress in science.
But quantum electrodynamics (and other topics in theoretical physics) were hardly the only fields that Dyson illuminated. As noted in the conference section titles, topics in mathematics, astronomy, and public policy have also attracted the attention of Freeman Dyson, and been recipients of major contributions from him.
And, in addition to being a singularly brilliant thinker, he is a terrific writer and speaker. And a very nice, friendly, and supportive person.
The conference being held at the Institute is hosting talks by some of the worlds major contributors in fields of interest to Freeman, and the IAS is making this conference available to the public, live, over the web.
The two day conference at the Institute For Advanced Study will be streamed live!
To access the conference go to the Institute For Advanced Study (IAS) home page:
A link there will show the address of the webcast, and the program for the conference.
Some links:
http://en.wikipedia.org/wiki/Freeman_Dyson
FREEMAN DYSON'S BOOKS -- ON AMAZON
FREEMAN DYSON
FREEMAN DYSON -- SELECTED PAPERS
Here's Freeman Dyson giving an academic lecture on the importance of being heretical!
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Labels: Dreams Of Earth And Sky, Dyson Dreams, Freeman Dyson, IAS, Institute for Advanced Study, quantum electrodynamics
Wednesday, September 25, 2013
MAIN SLATE: NEW YORK FILM FESTIVAL 2013
THE FILM SOCIETY OF LINCOLN CENTER
(FSLC)
51st NEW YORK FILM FESTIVAL
(NYFF 2013)
Main Slate
Ralph Fiennes as Charles Dickens and Felicity Jones as Nelly Ternan
Photo by David Appleby, Courtesy of Sony Pictures Classics
THE INVISIBLE WOMAN
NYFF 2013
• Abdellatif Kechiche’s BLUE IS THE WARMEST COLOR, the winner of the 2013 Cannes Palme d’Or (which in a first, was awarded to both of its lead actresses, Adèle Exarchopoulos and Léa Seydoux, as well as the director);
• Joel and Ethan Coen’s INSIDE LLEWYN DAVIS, which won the festival’s Grand Prix Award;
• Jia Zhangke’s A TOUCH OF SIN, winner for Best Screenplay;
• Rithy Panh’s THE MISSING PICTURE, winner of the Certain Regard Prize
• Hany Abu-Assad’s OMAR, which won the Certain Regard Jury Prize; and
• Alexander Payne’s NEBRASKA, which features Cannes Best Actor winner Bruce Dern.
Additional award winners were
• Joe Brewster and Michèle Stephenson’s AMERICAN PROMISE, which won a U.S. Documentary Special Jury Award at this year’s Sundance Film Festival, and
• Sebastián Lelio’s GLORIA, whose star Pauline Garcia took home the Berlin Film Festival’s Silver Bear for Best Actress.
• Richard Curtis’s ABOUT TIME, a romantic comedy about a family whose men have the ability to travel in time, starring Bill Nighy and Rachel McAdams;
• Declan Lowney’s ALAN PARTRIDGE, which brings Steve Coogan’s legendary television character to the big screen for the first time;
• Roger Michell’s LE WEEK-END, featuring Jim Broadbent and Lindsay Duncan as a couple visiting Paris with hopes of rekindling their relationship;
• and Alexander Payne’s NEBRASKA, about a father and son (Bruce Dern and Will Forte) on a road trip to pick up a million dollar prize that may or may not await them;
Filmmakers returning to the NYFF who have had multiple films selected in the Main Slate in past editions include:
• Catherine Breillat with ABUSE IS WEAKNESS --
(36 FILLETTE, NYFF 1988; FAT GIRL, NYFF 2000; THE LAST MISTRESS, NYFF 2007; and BLUEBEARD, NYFF 2009)
• Ethan and Joel Coen with INSIDE LLEWYN DAVIS --
(BLOOD SIMPLE, NYFF 1984, MILLER’S CROSSING, NYFF 1990 and NO COUNTRY FOR OLD MEN, NYFF 2007)
• Claire Denis with BASTARDS --
(BEAU TRAVAIL, NYFF 1999; FRIDAY NIGHT, NYFF 2002; and WHITE MATERIAL, NYFF 2009)
• Arnaud Desplechin with JIMMY P: PSYCHOTHERAPY OF A PLAINS INDIAN --
(LA SENTINELLE, NYFF 1992; MY SEX LIFE…OR HOW I GOT INTO AN ARGUMENT, NYFF 1996; KINGS AND QUEENS, NYFF 2004; and A CHRISTMAS TALE, NYFF 2008)
• Agnieszka Holland with BURNING BUSH --
(ANGRY HARVEST, NYFF 1985; OLIVIER OLIVIER, NYFF 1992; and WASHINGTON SQUARE, NYFF 1997)
• Jim Jarmusch with ONLY LOVERS LEFT ALIVE --
(STRANGER THAN PARADISE, NYFF 1984; DOWN BY LAW, NYFF 1986; MYSTERY TRAIN, NYFF 1989; and NIGHT ON EARTH, NYFF 1991)
• Alexander Payne with NEBRASKA --
(ABOUT SCHMIDT, NYFF 2002; SIDEWAYS, NYFF 2004; and THE DESCENDANTS, NYFF 2011)
• Kiyoshi Kurasawa with REAL --
(LICENSE TO LIVE, NYFF 1999, TOKYO SONATA, NYFF 2008)
• Hong Sang-soo with NOBODY’S DAUGHTER (HAEWON) --
(TURNING GATE, NYFF 2002; WOMAN IS THE FUTURE OF MAN, NYFF 2004; TALE OF CINEMA, NYFF 2005; WOMAN ON THE BEACH, NYFF 2006; NIGHT AND DAY, NYFF 2008; and OKI’S MOVIE, NYFF 2010)
• Frederick Wiseman with AT BERKELEY --
(NEAR DEATH, NYFF 1989, PUBLIC HOUSING, NYFF 1997, BOXING GYM, NYFF 2010 and CRAZY HORSE, NYFF 2011)
• Jia Zhangke with A TOUCH OF SIN --
(PLATFORM, NYFF 2000; UNKNOWN PLEASURES, NYFF 2002; THE WORLD, NYFF 2004; USELESS, NYFF 2007; and 24 CITY, NYFF 2008)
Rounding out the list of returning NYFF Main Slate alumni are;
• Hany Abu-Assad (PARADISE NOW, NYFF 2005)
with OMAR;
• French filmmakers Philippe Garrel (THE INNER SCAR, NYFF 1972 and REGULAR LOVERS, NYFF 2005) with JEALOUSY; and Alain Guiraudie (THAT OLD DREAM THAT MOVES, NYFF 2002)
with STRANGER BY THE LAKE;
• Cannes award winner Abdellatif Kechiche (BLACK VENUS, NYFF 2010)
with BLUE IS THE WARMEST COLOR.
• the director of the Opening Night Gala selection Paul Greengrass (BLOODY SUNDAY, NYFF 2002)
with CAPTAIN PHILLIPS;
• the director of the Closing Night Gala selection Spike Jonze (BEING JOHN MALKOVICH, NYFF 1999)
with HER;
• Hayao Miyazaki (PRINCESS MONONOKE, NYFF 1997)
with THE WIND RISES;
• Tsai Ming-liang (WHAT TIME IS IT THERE?, NYFF 2001 and GOOD BYE, DRAGON INN, NYFF 2003)
with STRAY DOGS;
• documentarian Claude Lanzmann (ISRAEL, WHY, NYFF 1973 and SOBIBOR, OCTOBER 14, 1943, 4PM, NYFF 2001)
with THE LAST OF THE UNJUST;
• Romanian filmmaker Corneliu Porumboiu (POLICE, ADJECTIVE, NYFF 2009)
with WHEN EVENING FALLS ON BUCHAREST OR METABOLISM; and
• Roger Michell, who returns to the New York Film Festival just one year after screening his film HYDE PARK ON HUDSON (NYFF 2012)
with LE WEEK-END.
http://www.filmlinc.com/blog/entry/nyff-programming-chair-kent-jones-talks-comedy-dark-imagery-and-more-for-51
ABOUT TIME (2013) 123min
Director: Richard Curtis
Country: UK
Richard Curtis adds a touch of time-travel to this hilarious romantic comedy, a perfect vehicle for the comic talents of Bill Nighy, Rachel McAdams, Lindsay Duncan, and emerging star Domhnall Gleeson. A Universal Pictures release.
ABUSE OF WEAKNESS (Abus de Faiblesse) (2013) 105min
Director: Catherine Breillat
Country: France
Catherine Breillat’s haunting film about her 2004 stroke and subsequent self-destructive relationship with star swindler Christophe Rocancourt, starring Isabelle Huppert.
ALAN PARTRIDGE (2013) 90min
Director: Declan Lowney
Country: UK/France
In the long-awaited big-screen debut of Steve Coogan’s singular comic creation, the vain and obliviously tactless Alan Partridge must serve as an intermediary when North Norfolk Digital is seized at gunpoint by a down-sized DJ.
ALL IS LOST (2013) 107min
Director: J.C. Chandor
Country: USA
Robert Redford, as you’ve never seen him before, gives a near-wordless all-action performance as a lone sailor trying to keep his yacht afloat after a collision with a discarded shipping container in the middle of the Indian Ocean. A Roadside Attractions release.
AMERICAN PROMISE (2013) 135min
Directors: Joe Brewster and Michèle Stephenson
Country: USA
Two Brooklyn filmmakers follow their son Idris and his friend Suen from their enrollment in the Dalton School as children through their high school graduations in this devastating, years-in-the-making documentary that takes a hard look at race and class in America.
AT BERKELEY (2013) 244min
Director: Frederick Wiseman
Country: USA
Another masterfully constructed documentary from Frederick Wiseman, examining the University of California, Berkeley from multiple angles - the administrators, the students, the surrounding community - to arrive at a portrait that is as rich in detail as it is epic in scope.
BASTARDS (Les Salauds) (2013) 100min
Director: Claire Denis
Country: France/Germany
Claire Denis’s jagged, daringly fragmented and deeply unsettling film inspired by recent French sex ring scandals is the rarest of cinematic narratives—a contemporary film noir, perfect in substance as well as style.
BLUE IS THE WARMEST COLOR (La Vie d’Adèle) (2013) 179min
Director: Abdellatif Kechiche
Country: France
The sensation of this year’s Cannes Film Festival is an intimate - and sexually explicit - epic of emotional transformation, featuring two astonishing performances from Adèle Exarchopoulos and Léa Seydoux. A Sundance Selects release.
Please be advised that this film has scenes of a sexually explicit nature.
BURNING BUSH (Hořicí Keř) (2013) 234min
Director: Agnieszka Holland
Country: Czech Republic
A passionately brilliant Czech mini-series from Agnieska Holland about the events that followed student Jan Palach’s public self-immolation in protest against the Soviet invasion after Prague Spring.
CAPTAIN PHILLIPS (2013) 143min
Director: Paul Greengrass
Country: USA
Paul Greengrass has crafted an edge-of-your-seat thriller based on the true story of the seizure of the Maersk Alabama cargo ship in 2009 by four Somali pirates, with remarkable performances from Tom Hanks and four first-time actors, Barkhad Abdi, Faysal Ahmed, Barkhad Abdirahman and Mahet M. Ali. A Sony Pictures release.
CHILD OF GOD (2013) 104min
Director: James Franco
Country: USA
James Franco’s uncompromising excursion into American Gothic, adapted from Cormac McCarthy’s 1973 novel, about an unstable sociopath in early 60s rural Tennessee who descends into an animal-like state - not for the faint-hearted.
GLORIA (2013) 110min
Director: Sebastián Lelio
Countries: Chile/Spain
A wise, funny, liberating movie from Chile, about a middle-aged woman who finds romance but whose new partner finds it painfully difficult to abandon his old habits.
HER (2013)
Director: Spike Jonze
Country: USA
In Spike Jonze’s magical, melancholy comedy of the near future, lonely Joaquin Phoenix falls in love with his new all-purpose operating system (the voice of Scarlett Johansson), leading to romantic and existential complications. A Warner Bros. Pictures release.
THE IMMIGRANT (2013) 120min
Director: James Gray
Country: USA
In James Gray’s richly detailed period tragedy, set in a dusty, sepia-toned 1920s Manhattan, a young Polish immigrant (Marion Cotillard) is caught in a dangerous battle of wills with a shady burlesque manager (Joaquin Phoenix). A Radius-TWC release.
INSIDE LLEWYN DAVIS (2013) 105min
Directors: Ethan Coen, Joel Coen
Country: USA/France
Joel and Ethan Coen’s picaresque, panoramic and wryly funny story of a singer/songwriter is set in the New York folk scene of the early 60s and features a terrific array of larger-than-life characters and a glorious score of folk standards. A CBS Films release.
THE INVISIBLE WOMAN (2013) 111min
Director: Ralph Fiennes
Country: UK
Ralph Fiennes directs and stars as Charles Dickens in this adaptation of Claire Tomalin’s revelatory 1992 biography, which brought the upright Victorian author’s secret 13-year affair with a young actress to light. A Sony Pictures Classics Release.
JEALOUSY (La Jalousie) (2013) 77min
Director: Philippe Garrel
Country: France
Another intimate, handcrafted work of poetic autobiographical cinema from French director Philippe Garrel, in which his son Louis and Anna Mouglalis star as actors and lovers trying to reconcile their professional and personal lives.
JIMMY P: PSYCHOTHERAPY OF A PLAINS INDIAN (2013) 114min
Director: Arnaud Desplechin
Country: France
In Arnaud Desplechin’s intelligent and moving depiction of a successful “Talking Cure,” the encounters between patient (Benicio del Toro) and therapist (Mathieu Amalric) are electric with discovery.
THE LAST OF THE UNJUST (Le Dernier des injustes) (2013) 218min
Director: Claude Lanzmann
Countries: France/Austria
This moral and cinematic tour de force from the creator of SHOAH will cause you to reconsider your understanding of Adolph Eichmann and of Benjamin Murmelstein, the last Jewish elder of Theresienstadt and the film’s central figure.
LIKE FATHER, LIKE SON (Soshite Chichi ni Naru) (2013) 120min
Director: Hirokazu Kore-eda
Country: Japan
Hirokazu Kore-eda’s sensitive drama takes a close look at two families’ radically different approaches to the horribly painful realization that the sons they have raised as their own were switched at birth. A Sundance Selects release.
THE MISSING PICTURE (L’image manquante) (2013) 92min
Director: Rithy Panh
Country: Cambodia
Filmmaker Rithy Panh’s brave new film revisits his memories of four years spent under the Khmer Rouge and the destruction of his family and his culture; without a single memento left behind, he creates his “missing images” with narration and painstakingly executed dioramas. A Strand release.
MY NAME IS HMMM… (Je m’appelle Hmmm…) (2013) 121min
Director: agnès B
Country: France
In this deeply personal, incandescent first feature from designer agnès B, a young girl holding her family together and bearing the weight of sexual abuse runs away from home and enjoys a carefree idyll with a kindly Scottish trucker.
NEBRASKA (2013) 115min
Director: Alexander Payne
Country: USA
This masterful film from Alexander Payne, about a quiet old man (Bruce Dern) whose mild-mannered son (Will Forte) agrees to drive him from Montana to Nebraska to claim a non-existent prize, shades from the comic to multiple hues of melancholy and regret. A Paramount Pictures release.
NOBODY’S DAUGHTER HAEWON (Nugu-ui ttal-do anin Haewon) (2013) 90min
Director: Hong Sang-soo
Country: South Korea
A young student at loose ends after her mother moves to America tries to define herself one encounter and experience at a time, in reality and in dreams, in another deceptively simple chamber-piece from South Korean master Hong Sang-soo.
NORTH, THE END OF HISTORY (Norte, Hangganan ng Kasaysayan) (2013) 250min
Director: Lav Diaz
Country: Philippines
Filipino director Lav Diaz’s twelfth feature - at four-plus hours, one of his shortest - is a careful rethinking of Dostoyevsky’s Crime and Punishment, with a tortured anti-hero who is a haunting embodiment of the dead ends of ideology.
OMAR (2013) 96min
Director: Hany Abu-Assad
Country: Palestinian Territories
A tense, gripping, ticking clock thriller about betrayal, suspected and real, in the Occupied Territories, from Hany Abu-Assad (Paradise Now).
ONLY LOVERS LEFT ALIVE (2013) 123min
Director: Jim Jarmusch
Country: USA
Jim Jarmusch’s wry, tender and moving take on the vampire genre features Tilda Swinton and Tom Hiddleston as a centuries-old couple who watch time go by from separate continents as they reflect on the ever-changing world around them. A Sony Pictures Classics release.
REAL (2013) 127min
THE SECRET LIFE OF WALTER MITTY (2013)
Director: Ben Stiller
Country: USA
Ben Stiller stars in and directs this sweet, globe-trotting (but New York-based) comic fable about an up-to-the-minute everyman, co-starring Kristen Wiig as the woman of his dreams, Sean Penn as a legendary photographer and Shirley MacLaine as Walter’s mother. A Twentieth Century Fox release.
THE SQUARE (2013) 104min
Director: Jehane Noujaim
Country: USA/Egypt
Jehane Noujaim’s tense, vivid verité portrait of events as they unfolded in Tahrir Square through Arab Spring and beyond, in a newly revised, up-to-the-minute version.
STRANGER BY THE LAKE (L’Inconnu du lac) (2013) 97min
Director: Alain Guiraudie
Country: France
Alain Guiraudie’s lethally precise, sexually explicit film, which unfolds entirely in the vicinity of a gay cruising ground, is both a no-holds-barred depiction of a hedonistic subculture and a perverse and unnerving tale of amour fou. A Strand release.
Please be advised that this film has scenes of a sexually explicit nature.
STRAY DOGS (Jiao You) (2013) 138min
Director: Tsai Ming-liang
Country: Taiwan/France
Tsai Ming-liang’s fable of a homeless family living the cruelest of existences on the ragged edges of the modern world is bracingly pure in its anger and its compassion, and as visually powerful as it is emotionally overwhelming.
A TOUCH OF SIN (Tian Zhu Ding) (2013) 133min
Director: Jia Zhangke
Country: China
Jia Zhangke’s bloody, bitter new film builds a portrait of modern-day China in the midst of rapid and convulsive change through four overlapping stories of marginalized and oppressed citizens pushed to murderous rage. A Kino Lorber release.
LE WEEK-END (2013) 93min
Director: Roger Michell
Country: UK
A magically buoyant, bittersweet comedy drama about a middle-aged and middle class English couple who go to Paris for a weekend holiday, starring two of Britain’s national treasures, Jim Broadbent and Lindsay Duncan. A Music Box Films release.
WHEN EVENING FALLS ON BUCHAREST OR METABOLISM (2013) 89min
Director: Corneliu Porumboiu
Countries: Romania/France
A rigorously structured and fascinatingly oblique new film from Corneliu Porumboiu that examines the life of a film director during the moments on a shoot when the camera isn’t rolling.
THE WIND RISES (Kaze Tachinu) (2013) 126min
Director: Hayao Miyazaki
Country: Japan
The great Japanese animator Hayao Miyazaki’s new film is based on the life of Jiro Hirokoshi, the man who designed the Zero fighter. An elliptical historical narrative, THE WIND RISES is also a visionary cinematic poem about the fragility of humanity.
For more about CAPTAIN PHILLIPS -- the Opening Night Gala film with Tom Hanks:
http://qporit.blogspot.com/2013/07/tom-hanks-stars-opening-night-in-2013.html
For more about HER -- the Closing Night Gala film with Joaquin Phoenix and the voice of Scarlett Johansson:
http://qporit.blogspot.com/2013/08/spike-jonzes-her-will-close-nyff-2013.html
Ralph Fiennes as Charles Dickens and Felicity Jones as Nelly Ternan
Photo by David Appleby, Courtesy of Sony Pictures Classics
THE INVISIBLE WOMAN
NYFF 2013
36 Features include new films by
Catherine Breillat, J.C. Chandor, Joel & Ethan Coen,
Richard Curtis, Claire Denis, Arnaud Desplechin,
Ralph Fiennes, James Gray, James Franco,
Jim Jarmusch, Claude Lanzmann, Alexander Payne,
Hong Sang-soo, Frederick Wiseman,
and Jia Zhangke among others!
The 2013 51st New York Film Festival, 2013 (NYFF 2013), the first for new Director of Programming and Selection Committee Chair, Kent Jones, suggests a change of direction for the Festival.
Under the founding Director of Programming, Richard Roud, the Festival brought new European, especially French and Italian directors, to the Festival. Richard Pena brought a new wave of films from all over the world to the Festival, and under the leadership of FSLC Executive Director Rose Kuo, the Film Society of Lincoln Center built several new theaters. For the 50th NYFF, last year, (Richard Pena’s final year) the Festival program grew from screenings that were originally mostly at Alice Tully Hall, to screenings now at many venues, vastly increasing the number of special films the Festival can show, and even including a special weekend devoted to Transmedia/Convergence projects (which transcend pure film to include elements of audience interaction, immersive theater, and other special features).
Under Kent Jones, this year’s festival Main Slate contains many American Films and there are quite a few comedies… And a few films with explicit sex. Also, unlike recent festivals (with Melancholia and 4:44), and current popular tent-poles, there are no films about the end of life on Earth (or Everywhere).
There are two time related romances (ABOUT TIME and ONLY LOVERS LEFT ALIVE) and one human-cyber romance (HER).
Many of the Main Slate films were award winners at other festivals, making their New York Premiere appearance here.
It should be noted that the Festival now exists in the context of very broad programming year-round by the Film Society of Lincoln Center. There are min-festivals now of French films, Italian Films, Asian Films and many other geographical, language, and thematic groupings of films, so that during the course of a year FSLC probably shows more European films outside the NYFF than it ever did during the early years when it was Euro-centric.
Many films (much more than half) are by returning directors. Even some of the new directors have long established credentials: Ben Stiller is presenting THE SECRET LIFE OF WALTER MITTY, adapted from Thurber’s classic short story; and James Franco also has a film in the festival. (This has been a hard year for new directors to break into the Main Slate of NYFF.)
Many films have formidable star power, including Tom Hanks, Robert Redford, Scarlett Johansson (at least her voice), Ralph Fiennes, Tilda Swinton, Ben Stiller, Marion Cotillard, Bruce Dern, Isabelle Huppert, Rachel McAdams, Joaquin Phoenix (with two films in the Festival, THE IMMIGRANTS and Closing Night ‘s HER), Kristen Wiig, rising star Domhnall Gleeson, and Lea Seydoux – co-winner of the Cannes Palme D’Or for her sexually explicit role in BLUE IS THE WARMEST COLOR (La vie d’adele).
In addition to the Main Slate, there are many other sections to the Festival this year, including Avant Garde films, Revivals (with even a special pre-festival week devoted to earlier films by some directors with new films in this Festival), Documentaries, another Transmedia/Convergence weekend, and special Galas honoring Ralph Fiennes and Cate Blanchett.
Here are some specific notes about the Main Slate:
Award winners from the Cannes Film Festival presented for the first time to New York audiences include:
Under the founding Director of Programming, Richard Roud, the Festival brought new European, especially French and Italian directors, to the Festival. Richard Pena brought a new wave of films from all over the world to the Festival, and under the leadership of FSLC Executive Director Rose Kuo, the Film Society of Lincoln Center built several new theaters. For the 50th NYFF, last year, (Richard Pena’s final year) the Festival program grew from screenings that were originally mostly at Alice Tully Hall, to screenings now at many venues, vastly increasing the number of special films the Festival can show, and even including a special weekend devoted to Transmedia/Convergence projects (which transcend pure film to include elements of audience interaction, immersive theater, and other special features).
Under Kent Jones, this year’s festival Main Slate contains many American Films and there are quite a few comedies… And a few films with explicit sex. Also, unlike recent festivals (with Melancholia and 4:44), and current popular tent-poles, there are no films about the end of life on Earth (or Everywhere).
There are two time related romances (ABOUT TIME and ONLY LOVERS LEFT ALIVE) and one human-cyber romance (HER).
Many of the Main Slate films were award winners at other festivals, making their New York Premiere appearance here.
It should be noted that the Festival now exists in the context of very broad programming year-round by the Film Society of Lincoln Center. There are min-festivals now of French films, Italian Films, Asian Films and many other geographical, language, and thematic groupings of films, so that during the course of a year FSLC probably shows more European films outside the NYFF than it ever did during the early years when it was Euro-centric.
Many films (much more than half) are by returning directors. Even some of the new directors have long established credentials: Ben Stiller is presenting THE SECRET LIFE OF WALTER MITTY, adapted from Thurber’s classic short story; and James Franco also has a film in the festival. (This has been a hard year for new directors to break into the Main Slate of NYFF.)
Many films have formidable star power, including Tom Hanks, Robert Redford, Scarlett Johansson (at least her voice), Ralph Fiennes, Tilda Swinton, Ben Stiller, Marion Cotillard, Bruce Dern, Isabelle Huppert, Rachel McAdams, Joaquin Phoenix (with two films in the Festival, THE IMMIGRANTS and Closing Night ‘s HER), Kristen Wiig, rising star Domhnall Gleeson, and Lea Seydoux – co-winner of the Cannes Palme D’Or for her sexually explicit role in BLUE IS THE WARMEST COLOR (La vie d’adele).
In addition to the Main Slate, there are many other sections to the Festival this year, including Avant Garde films, Revivals (with even a special pre-festival week devoted to earlier films by some directors with new films in this Festival), Documentaries, another Transmedia/Convergence weekend, and special Galas honoring Ralph Fiennes and Cate Blanchett.
Here are some specific notes about the Main Slate:
Award winners from the Cannes Film Festival presented for the first time to New York audiences include:
• Abdellatif Kechiche’s BLUE IS THE WARMEST COLOR, the winner of the 2013 Cannes Palme d’Or (which in a first, was awarded to both of its lead actresses, Adèle Exarchopoulos and Léa Seydoux, as well as the director);
• Joel and Ethan Coen’s INSIDE LLEWYN DAVIS, which won the festival’s Grand Prix Award;
• Jia Zhangke’s A TOUCH OF SIN, winner for Best Screenplay;
• Rithy Panh’s THE MISSING PICTURE, winner of the Certain Regard Prize
• Hany Abu-Assad’s OMAR, which won the Certain Regard Jury Prize; and
• Alexander Payne’s NEBRASKA, which features Cannes Best Actor winner Bruce Dern.
Additional award winners were
• Joe Brewster and Michèle Stephenson’s AMERICAN PROMISE, which won a U.S. Documentary Special Jury Award at this year’s Sundance Film Festival, and
• Sebastián Lelio’s GLORIA, whose star Pauline Garcia took home the Berlin Film Festival’s Silver Bear for Best Actress.
American and British comedies are a significant presence in this year’s lineup of main slate official selections with
• Richard Curtis’s ABOUT TIME, a romantic comedy about a family whose men have the ability to travel in time, starring Bill Nighy and Rachel McAdams;
• Declan Lowney’s ALAN PARTRIDGE, which brings Steve Coogan’s legendary television character to the big screen for the first time;
• Roger Michell’s LE WEEK-END, featuring Jim Broadbent and Lindsay Duncan as a couple visiting Paris with hopes of rekindling their relationship;
• and Alexander Payne’s NEBRASKA, about a father and son (Bruce Dern and Will Forte) on a road trip to pick up a million dollar prize that may or may not await them;
• and the Centerpiece and Closing Night Gala selections, Ben Stiller’s THE SECRET LIFE OF WALTER MITTY and
• Spike Jonze’s HER.
Documentary filmmaking legends Claude Lanzmann and Frederick Wiseman each make their third appearances in NYFF’s Main Slate. Lanzmann returns with THE LAST OF THE UNJUST, a portrait of Benjamin Murmelstein, the last Jewish elder of Theresienstadt, once despised by many of its surviving inhabitants. Wiseman turns his camera toward the University of California, Berkeley, with his latest film, AT BERKELEY.
Filmmakers returning to the NYFF who have had multiple films selected in the Main Slate in past editions include:
• Catherine Breillat with ABUSE IS WEAKNESS --
(36 FILLETTE, NYFF 1988; FAT GIRL, NYFF 2000; THE LAST MISTRESS, NYFF 2007; and BLUEBEARD, NYFF 2009)
• Ethan and Joel Coen with INSIDE LLEWYN DAVIS --
(BLOOD SIMPLE, NYFF 1984, MILLER’S CROSSING, NYFF 1990 and NO COUNTRY FOR OLD MEN, NYFF 2007)
• Claire Denis with BASTARDS --
(BEAU TRAVAIL, NYFF 1999; FRIDAY NIGHT, NYFF 2002; and WHITE MATERIAL, NYFF 2009)
• Arnaud Desplechin with JIMMY P: PSYCHOTHERAPY OF A PLAINS INDIAN --
(LA SENTINELLE, NYFF 1992; MY SEX LIFE…OR HOW I GOT INTO AN ARGUMENT, NYFF 1996; KINGS AND QUEENS, NYFF 2004; and A CHRISTMAS TALE, NYFF 2008)
• Agnieszka Holland with BURNING BUSH --
(ANGRY HARVEST, NYFF 1985; OLIVIER OLIVIER, NYFF 1992; and WASHINGTON SQUARE, NYFF 1997)
• Jim Jarmusch with ONLY LOVERS LEFT ALIVE --
(STRANGER THAN PARADISE, NYFF 1984; DOWN BY LAW, NYFF 1986; MYSTERY TRAIN, NYFF 1989; and NIGHT ON EARTH, NYFF 1991)
• Alexander Payne with NEBRASKA --
(ABOUT SCHMIDT, NYFF 2002; SIDEWAYS, NYFF 2004; and THE DESCENDANTS, NYFF 2011)
• Kiyoshi Kurasawa with REAL --
(LICENSE TO LIVE, NYFF 1999, TOKYO SONATA, NYFF 2008)
• Hong Sang-soo with NOBODY’S DAUGHTER (HAEWON) --
(TURNING GATE, NYFF 2002; WOMAN IS THE FUTURE OF MAN, NYFF 2004; TALE OF CINEMA, NYFF 2005; WOMAN ON THE BEACH, NYFF 2006; NIGHT AND DAY, NYFF 2008; and OKI’S MOVIE, NYFF 2010)
• Frederick Wiseman with AT BERKELEY --
(NEAR DEATH, NYFF 1989, PUBLIC HOUSING, NYFF 1997, BOXING GYM, NYFF 2010 and CRAZY HORSE, NYFF 2011)
• Jia Zhangke with A TOUCH OF SIN --
(PLATFORM, NYFF 2000; UNKNOWN PLEASURES, NYFF 2002; THE WORLD, NYFF 2004; USELESS, NYFF 2007; and 24 CITY, NYFF 2008)
Rounding out the list of returning NYFF Main Slate alumni are;
• Hany Abu-Assad (PARADISE NOW, NYFF 2005)
with OMAR;
• French filmmakers Philippe Garrel (THE INNER SCAR, NYFF 1972 and REGULAR LOVERS, NYFF 2005) with JEALOUSY; and Alain Guiraudie (THAT OLD DREAM THAT MOVES, NYFF 2002)
with STRANGER BY THE LAKE;
• Cannes award winner Abdellatif Kechiche (BLACK VENUS, NYFF 2010)
with BLUE IS THE WARMEST COLOR.
• the director of the Opening Night Gala selection Paul Greengrass (BLOODY SUNDAY, NYFF 2002)
with CAPTAIN PHILLIPS;
• the director of the Closing Night Gala selection Spike Jonze (BEING JOHN MALKOVICH, NYFF 1999)
with HER;
• Hayao Miyazaki (PRINCESS MONONOKE, NYFF 1997)
with THE WIND RISES;
• Tsai Ming-liang (WHAT TIME IS IT THERE?, NYFF 2001 and GOOD BYE, DRAGON INN, NYFF 2003)
with STRAY DOGS;
• documentarian Claude Lanzmann (ISRAEL, WHY, NYFF 1973 and SOBIBOR, OCTOBER 14, 1943, 4PM, NYFF 2001)
with THE LAST OF THE UNJUST;
• Romanian filmmaker Corneliu Porumboiu (POLICE, ADJECTIVE, NYFF 2009)
with WHEN EVENING FALLS ON BUCHAREST OR METABOLISM; and
• Roger Michell, who returns to the New York Film Festival just one year after screening his film HYDE PARK ON HUDSON (NYFF 2012)
with LE WEEK-END.
FilmLinc Daily Managing Editor Brian Brooks spoke with Kent Jones about the Main Slate official selections, the lead up to NYFF and looking ahead to his first NYFF as the festival’s Director of Programming and Selection Committee Chair. That interview can be found at
http://www.filmlinc.com/blog/entry/nyff-programming-chair-kent-jones-talks-comedy-dark-imagery-and-more-for-51
51st NEW YORK FILM FESTIVAL
Main Slate
Films & Descriptions
Rachel McAdams and Domhnall Gleeson
ABOUT TIME
NYFF 2013
ABOUT TIME (2013) 123min
Director: Richard Curtis
Country: UK
Richard Curtis adds a touch of time-travel to this hilarious romantic comedy, a perfect vehicle for the comic talents of Bill Nighy, Rachel McAdams, Lindsay Duncan, and emerging star Domhnall Gleeson. A Universal Pictures release.
Catherine Breillat
ABUSE OF WEAKNESS
ABUSE OF WEAKNESS
NYFF 2013
ABUSE OF WEAKNESS (Abus de Faiblesse) (2013) 105min
Director: Catherine Breillat
Country: France
Catherine Breillat’s haunting film about her 2004 stroke and subsequent self-destructive relationship with star swindler Christophe Rocancourt, starring Isabelle Huppert.
ALAN PARTRIDGE (2013) 90min
Director: Declan Lowney
Country: UK/France
In the long-awaited big-screen debut of Steve Coogan’s singular comic creation, the vain and obliviously tactless Alan Partridge must serve as an intermediary when North Norfolk Digital is seized at gunpoint by a down-sized DJ.
Robert Redford
ALL IS LOST
NYFF 2013
Credit: Richard Foreman
ALL IS LOST (2013) 107min
Director: J.C. Chandor
Country: USA
Robert Redford, as you’ve never seen him before, gives a near-wordless all-action performance as a lone sailor trying to keep his yacht afloat after a collision with a discarded shipping container in the middle of the Indian Ocean. A Roadside Attractions release.
AMERICAN PROMISE (2013) 135min
Directors: Joe Brewster and Michèle Stephenson
Country: USA
Two Brooklyn filmmakers follow their son Idris and his friend Suen from their enrollment in the Dalton School as children through their high school graduations in this devastating, years-in-the-making documentary that takes a hard look at race and class in America.
AT BERKELEY
NYFF 2013
Credit: Berkeley Film Inc
AT BERKELEY (2013) 244min
Director: Frederick Wiseman
Country: USA
Another masterfully constructed documentary from Frederick Wiseman, examining the University of California, Berkeley from multiple angles - the administrators, the students, the surrounding community - to arrive at a portrait that is as rich in detail as it is epic in scope.
BASTARDS (Les Salauds) (2013) 100min
Director: Claire Denis
Country: France/Germany
Claire Denis’s jagged, daringly fragmented and deeply unsettling film inspired by recent French sex ring scandals is the rarest of cinematic narratives—a contemporary film noir, perfect in substance as well as style.
BLUE IS THE WARMEST COLOR
With Léa Seydoux and Adèle Exarchopoulos
NYFF 2013
BLUE IS THE WARMEST COLOR (La Vie d’Adèle) (2013) 179min
Director: Abdellatif Kechiche
Country: France
The sensation of this year’s Cannes Film Festival is an intimate - and sexually explicit - epic of emotional transformation, featuring two astonishing performances from Adèle Exarchopoulos and Léa Seydoux. A Sundance Selects release.
Please be advised that this film has scenes of a sexually explicit nature.
BURNING BUSH (Hořicí Keř) (2013) 234min
Director: Agnieszka Holland
Country: Czech Republic
A passionately brilliant Czech mini-series from Agnieska Holland about the events that followed student Jan Palach’s public self-immolation in protest against the Soviet invasion after Prague Spring.
CAPTAIN PHILLIPS (2013) 143min
Director: Paul Greengrass
Country: USA
Paul Greengrass has crafted an edge-of-your-seat thriller based on the true story of the seizure of the Maersk Alabama cargo ship in 2009 by four Somali pirates, with remarkable performances from Tom Hanks and four first-time actors, Barkhad Abdi, Faysal Ahmed, Barkhad Abdirahman and Mahet M. Ali. A Sony Pictures release.
CHILD OF GOD (2013) 104min
Director: James Franco
Country: USA
James Franco’s uncompromising excursion into American Gothic, adapted from Cormac McCarthy’s 1973 novel, about an unstable sociopath in early 60s rural Tennessee who descends into an animal-like state - not for the faint-hearted.
GLORIA (2013) 110min
Director: Sebastián Lelio
Countries: Chile/Spain
A wise, funny, liberating movie from Chile, about a middle-aged woman who finds romance but whose new partner finds it painfully difficult to abandon his old habits.
HER (2013)
Director: Spike Jonze
Country: USA
In Spike Jonze’s magical, melancholy comedy of the near future, lonely Joaquin Phoenix falls in love with his new all-purpose operating system (the voice of Scarlett Johansson), leading to romantic and existential complications. A Warner Bros. Pictures release.
THE IMMIGRANT (2013) 120min
Director: James Gray
Country: USA
In James Gray’s richly detailed period tragedy, set in a dusty, sepia-toned 1920s Manhattan, a young Polish immigrant (Marion Cotillard) is caught in a dangerous battle of wills with a shady burlesque manager (Joaquin Phoenix). A Radius-TWC release.
INSIDE LLEWYN DAVIS (2013) 105min
Directors: Ethan Coen, Joel Coen
Country: USA/France
Joel and Ethan Coen’s picaresque, panoramic and wryly funny story of a singer/songwriter is set in the New York folk scene of the early 60s and features a terrific array of larger-than-life characters and a glorious score of folk standards. A CBS Films release.
THE INVISIBLE WOMAN (2013) 111min
Director: Ralph Fiennes
Country: UK
Ralph Fiennes directs and stars as Charles Dickens in this adaptation of Claire Tomalin’s revelatory 1992 biography, which brought the upright Victorian author’s secret 13-year affair with a young actress to light. A Sony Pictures Classics Release.
JEALOUSY (La Jalousie) (2013) 77min
Director: Philippe Garrel
Country: France
Another intimate, handcrafted work of poetic autobiographical cinema from French director Philippe Garrel, in which his son Louis and Anna Mouglalis star as actors and lovers trying to reconcile their professional and personal lives.
JIMMY P: PSYCHOTHERAPY OF A PLAINS INDIAN
NYFF 2013
JIMMY P: PSYCHOTHERAPY OF A PLAINS INDIAN (2013) 114min
Director: Arnaud Desplechin
Country: France
In Arnaud Desplechin’s intelligent and moving depiction of a successful “Talking Cure,” the encounters between patient (Benicio del Toro) and therapist (Mathieu Amalric) are electric with discovery.
THE LAST OF THE UNJUST (Le Dernier des injustes) (2013) 218min
Director: Claude Lanzmann
Countries: France/Austria
This moral and cinematic tour de force from the creator of SHOAH will cause you to reconsider your understanding of Adolph Eichmann and of Benjamin Murmelstein, the last Jewish elder of Theresienstadt and the film’s central figure.
LIKE FATHER, LIKE SON (Soshite Chichi ni Naru) (2013) 120min
Director: Hirokazu Kore-eda
Country: Japan
Hirokazu Kore-eda’s sensitive drama takes a close look at two families’ radically different approaches to the horribly painful realization that the sons they have raised as their own were switched at birth. A Sundance Selects release.
THE MISSING PICTURE (L’image manquante) (2013) 92min
Director: Rithy Panh
Country: Cambodia
Filmmaker Rithy Panh’s brave new film revisits his memories of four years spent under the Khmer Rouge and the destruction of his family and his culture; without a single memento left behind, he creates his “missing images” with narration and painstakingly executed dioramas. A Strand release.
Lou-Lélia Demerliac, Douglas Gordon
MY NAME IS HMMM… (Je m’appelle Hmmm…)
NYFF 2013
MY NAME IS HMMM… (Je m’appelle Hmmm…) (2013) 121min
Director: agnès B
Country: France
In this deeply personal, incandescent first feature from designer agnès B, a young girl holding her family together and bearing the weight of sexual abuse runs away from home and enjoys a carefree idyll with a kindly Scottish trucker.
Bruce Dern (center)
NEBRASKA
NYFF 2013
NEBRASKA (2013) 115min
Director: Alexander Payne
Country: USA
This masterful film from Alexander Payne, about a quiet old man (Bruce Dern) whose mild-mannered son (Will Forte) agrees to drive him from Montana to Nebraska to claim a non-existent prize, shades from the comic to multiple hues of melancholy and regret. A Paramount Pictures release.
NOBODY’S DAUGHTER HAEWON (Nugu-ui ttal-do anin Haewon) (2013) 90min
Director: Hong Sang-soo
Country: South Korea
A young student at loose ends after her mother moves to America tries to define herself one encounter and experience at a time, in reality and in dreams, in another deceptively simple chamber-piece from South Korean master Hong Sang-soo.
NORTH, THE END OF HISTORY
NYFF 2013
NORTH, THE END OF HISTORY (Norte, Hangganan ng Kasaysayan) (2013) 250min
Director: Lav Diaz
Country: Philippines
Filipino director Lav Diaz’s twelfth feature - at four-plus hours, one of his shortest - is a careful rethinking of Dostoyevsky’s Crime and Punishment, with a tortured anti-hero who is a haunting embodiment of the dead ends of ideology.
OMAR (2013) 96min
Director: Hany Abu-Assad
Country: Palestinian Territories
A tense, gripping, ticking clock thriller about betrayal, suspected and real, in the Occupied Territories, from Hany Abu-Assad (Paradise Now).
ONLY LOVERS LEFT ALIVE
NYFF 2013
ONLY LOVERS LEFT ALIVE (2013) 123min
Director: Jim Jarmusch
Country: USA
Jim Jarmusch’s wry, tender and moving take on the vampire genre features Tilda Swinton and Tom Hiddleston as a centuries-old couple who watch time go by from separate continents as they reflect on the ever-changing world around them. A Sony Pictures Classics release.
REAL (2013) 127min
Director: Kiyoshi Kurosawa
Country: Japan
REAL is at once the most romantic and tender film of Kurosawa’s career, and entirely consistent with the rest of his unparalleled body of work. It is also, as always, as visually and tonally exquisite as it is unsettling. A star manga artist (Haruka Ayase) is in a coma, the result perhaps of a suicide attempt. In an experimental medical procedure, her husband (Takeru Satô) enters her unconscious in an attempt to awaken her. But when one psyche merges with another, mirror opposites are the possible, troubling result. A haunting successor to the mother of all time travel films, Chris Marker’s LA JETÉE, with a tip of the hat to Bong Joon-ho’s THE HOST, REAL finds its mysteries in the ordinary. What does it mean to be coupled? Can love conquer death? A unique film from one of the most unique artists in contemporary cinema.
Director: Ben Stiller
Country: USA
Ben Stiller stars in and directs this sweet, globe-trotting (but New York-based) comic fable about an up-to-the-minute everyman, co-starring Kristen Wiig as the woman of his dreams, Sean Penn as a legendary photographer and Shirley MacLaine as Walter’s mother. A Twentieth Century Fox release.
THE SQUARE (2013) 104min
Director: Jehane Noujaim
Country: USA/Egypt
Jehane Noujaim’s tense, vivid verité portrait of events as they unfolded in Tahrir Square through Arab Spring and beyond, in a newly revised, up-to-the-minute version.
STRANGER BY THE LAKE (L’Inconnu du lac) (2013) 97min
Director: Alain Guiraudie
Country: France
Alain Guiraudie’s lethally precise, sexually explicit film, which unfolds entirely in the vicinity of a gay cruising ground, is both a no-holds-barred depiction of a hedonistic subculture and a perverse and unnerving tale of amour fou. A Strand release.
Please be advised that this film has scenes of a sexually explicit nature.
STRAY DOGS
Photographer William Laxton ©Homegreen Films and Jba Production
NYFF 2013
STRAY DOGS (Jiao You) (2013) 138min
Director: Tsai Ming-liang
Country: Taiwan/France
Tsai Ming-liang’s fable of a homeless family living the cruelest of existences on the ragged edges of the modern world is bracingly pure in its anger and its compassion, and as visually powerful as it is emotionally overwhelming.
A TOUCH OF SIN
NYFF 2013
A TOUCH OF SIN (Tian Zhu Ding) (2013) 133min
Director: Jia Zhangke
Country: China
Jia Zhangke’s bloody, bitter new film builds a portrait of modern-day China in the midst of rapid and convulsive change through four overlapping stories of marginalized and oppressed citizens pushed to murderous rage. A Kino Lorber release.
LE WEEK-END (2013) 93min
Director: Roger Michell
Country: UK
A magically buoyant, bittersweet comedy drama about a middle-aged and middle class English couple who go to Paris for a weekend holiday, starring two of Britain’s national treasures, Jim Broadbent and Lindsay Duncan. A Music Box Films release.
WHEN EVENING FALLS ON BUCHAREST OR METABOLISM (2013) 89min
Director: Corneliu Porumboiu
Countries: Romania/France
A rigorously structured and fascinatingly oblique new film from Corneliu Porumboiu that examines the life of a film director during the moments on a shoot when the camera isn’t rolling.
THE WIND RISES (Kaze Tachinu) (2013) 126min
Director: Hayao Miyazaki
Country: Japan
The great Japanese animator Hayao Miyazaki’s new film is based on the life of Jiro Hirokoshi, the man who designed the Zero fighter. An elliptical historical narrative, THE WIND RISES is also a visionary cinematic poem about the fragility of humanity.
For more about CAPTAIN PHILLIPS -- the Opening Night Gala film with Tom Hanks:
http://qporit.blogspot.com/2013/07/tom-hanks-stars-opening-night-in-2013.html
For more about HER -- the Closing Night Gala film with Joaquin Phoenix and the voice of Scarlett Johansson:
http://qporit.blogspot.com/2013/08/spike-jonzes-her-will-close-nyff-2013.html
Labels: Ben Stiller, Domhnall Gleeson, FSLC, Kristen Wiig, Lea Seydoux, New York Film Festival, NYFF, Rachel McAdams, Ralph Fiennes, Robert Redford, Scarlett Johansson, Tom Hanks
Tuesday, September 24, 2013
TRANSMEDIA AT NYFF 2013
THE FILM SOCIETY OF LINCOLN CENTER NEW YORK FILM FESTIVAL 2013
NYFF CONVERGENCE
Highlights include
World Premieres of
A SHORT HISTORY OF THE HIGHRISE and
THE EMPIRE PROJECT
New York Premieres of
CHARLIE VICTOR ROMEO, THE COSMONAUT and
New York Premieres of
CHARLIE VICTOR ROMEO, THE COSMONAUT and
NO MORE ROAD TRIPS?
And a special appearance by
And a special appearance by
Cory McAbee
2013 NYFF Convergence will run on Saturday, September 28 through Monday, September 30. Building on the success of last year’s debut, the second edition of the crowning event for the Film Society of Lincoln Center’s year round programming commitment to Transmedia will be presented at the Elinor Bunin Munroe Film Center and the Walter Reade Theater with three days of panels, workshops and “immersive experiences.”
This year’s edition will also feature a special secret event to close out NYFF Convergence that will be announced at a later date.
NYFF Convergence Co-Programmer, Matt Bolish, said, “The core of Convergence is interaction - audiences and creators coming together to explore, play, and debate the future of entertainment. We couldn't be happier with the … global reach of the line up for this year's NYFF Convergence program with creators from the US sharing the stage with those from Denmark, Spain, and the Netherlands...and we can't wait to reveal the details of our special closing event!"
NYFF Convergence Co-Programmer, Matt Bolish, said, “The core of Convergence is interaction - audiences and creators coming together to explore, play, and debate the future of entertainment. We couldn't be happier with the … global reach of the line up for this year's NYFF Convergence program with creators from the US sharing the stage with those from Denmark, Spain, and the Netherlands...and we can't wait to reveal the details of our special closing event!"
Focusing on the intersection of technology and storytelling, the projects and presentations fall under three categories: Experiences, Keystone Presentations and Panels.
The three-day event will shine a light on creators and makers, and highlight the fact that in the digital world every member of the audience is not just an observer but an active participant in building their entertainment.
EXPERIENCES
will underline the interactive element of Transmedia storytelling.
Highlights include the World Premiere of Eline Jongsma and Kel O’Neill’s THE EMPIRE PROJECT, an immersive documentary project that examines the still-unfolding legacy of Dutch colonialism, and the New York Premieres of Robert Berger, Patrick Daniels and Karlyn Michelson’s CHARLIE VICTOR ROMEO, Nicolas Alcala’s THE COSMONAUT, Suvi Andrea Helminen’s 48 HOUR GAMES and Rick Prelinger’s NO MORE ROAD TRIPS?
Berger, Daniels and Michelson’s CHARLIE VICTOR ROMEO takes audience members to a place few civilian eyes have ever been: alongside an airline pilot during an in-flight emergency, while Accala’s THE COSMONAUT invites the audience back to the 60’s to experience the “space race” alongside two Russian cosmonauts as they race against the clock to beat the USA to the moon. Helminen’s 48 HOUR GAMES is an interactive “choose your own adventure” style documentary that was shot during the Nordic Game Jam, an event that annually brings together more than 300 game developers from all parts of Scandinavia. Prelinger’s NO MORE ROAD TRIPS? explores the highways and byways of a period via thousands of home movies and amateur films and depends upon the audience to provide the soundtrack and narration.
Berger, Daniels and Michelson’s CHARLIE VICTOR ROMEO takes audience members to a place few civilian eyes have ever been: alongside an airline pilot during an in-flight emergency, while Accala’s THE COSMONAUT invites the audience back to the 60’s to experience the “space race” alongside two Russian cosmonauts as they race against the clock to beat the USA to the moon. Helminen’s 48 HOUR GAMES is an interactive “choose your own adventure” style documentary that was shot during the Nordic Game Jam, an event that annually brings together more than 300 game developers from all parts of Scandinavia. Prelinger’s NO MORE ROAD TRIPS? explores the highways and byways of a period via thousands of home movies and amateur films and depends upon the audience to provide the soundtrack and narration.
KEYSTONE PRESENTATIONS
include the World Premiere of Katerina Cizek’s A SHORT HISTORY OF THE HIGHRISE, an interactive documentary series produced by Op-Docs, the New York Times editorial department’s forum for short, opinionated documentaries, and the National Film Board of Canada. The series explores the global history of vertical living and issues of social equality in an increasingly urbanized world via four short films that, like a visual accordion, allow viewers to dig deeper into the project’s themes with additional photography and archival materials, exploratory features and micro-games.
Writer, musician, director, actor Cory MacAbee (AMERICAN ASTRONAUT (2001), STINGRAY SAM (2009), CRAZY & THIEF (2012)) returns to the Film Society with CAPTAIN AHAB’S MOTORCYCLE CLUB to discuss his most recent project. In a presentation featuring live music and video pieces from the project, MacAbee will share anecdotes from the front lines of this truly original experiment in collaborative art.
Presented by Christian Fonnesbech and Frederik Øvlisen, CLOUD CHAMBER is an enthralling collaborative experience that is part alternate reality game, part film, part social network, and in its way altogether original. Players are asked to work together via a single web portal to uncover the story of a young scientist who risked her sanity and betrayed her father in order to save humanity from its most dangerous enemy: itself.
PANELS
will explore whether or not there has ever been a better time to create content thanks to the technological innovation of crowdfunding and microfinance sites; the fact that some of the most compelling work being done by Transmedia creators today is in field of multiplatform documentaries; and discuss producing in the Transmedia world - the process, business models, team and tools, as well as the ins and outs of working on multiple platforms.
TICKETS
A $99 NYFF Convergence All-Access Pass is available for purchase. General Public tickets go on sale September 8th. Members of the Film Society of Lincoln Center have the opportunity to purchase single screening tickets in advance of the General Public. VIP Passes for the New York Film Festival are on sale now.
CONVERGENCE EVENT DESCRIPTIONS
EXPERIENCES
EXPERIENCES
New York Premiere
CHARLIE VICTOR ROMEO
Directors: Robert Berger, Patrick Daniels and Karlyn Michelson - APPEARING IN PERSON
Saturday, September 28 at 2:00PM, EBM Beale Theater
Derived in its entirety from black box recordings of true airline emergencies, CHARLIE VICTOR ROMEO presents the sort of visceral experience that stays with audiences long after credits roll. Originally produced as a highly successful stage play in New York’s Lower East Side, the film makes startlingly effective use of a state-of-the-art 3D process to take us to a place few civilian eyes have ever been: the other side of the steel reinforced door that separates the public from the pilots. Directors Robert Berger, Patrick Daniels and Karlyn Michelson invite their audience to play silent witness to six high-tension dramatizations possessed with a raw intensity real enough to earn multiple citations from organizations such as the Air Force, West Point, and countless professional groups across the aviation community. In equal measure startling and uplifting, CHARLIE VICTOR ROMEO is a project that demands our respect and attention.
New York Premiere
THE COSMONAUT
Director: Nicholas Alcala – APPEARING IN PERSON
Sunday, September 29 at 12:30PM, EBM
Ambitious in scale and scope, THE COSMONAUT is the very definition of what a multiplatform immersive narrative can be. Encompassing a feature film, web-based content, social media, studio albums, live events, and a documentary feature the project has garnered international attention and praise since its inception in 2009. Set in the late 1960’s, the project follows Stas and Andrei - two Russian space-farers in training who along with a cast of adventurers, scientists, engineers, and dreamers are in a race against the clock to beat the United States to space.
THE COSMONAUT EXPERIENCE
Director: Nicholas Alcala – APPEARING IN PERSON
Sunday, September 29 at 2:00PM
In 1957, the first man-made object was put in orbit. That ignited a wild race between two countries that were fighting an undercover war. Earth wasn't enough anymore. The new goal was to conquer the universe.
See the feature film then dive deeper into the world of Riot Cinema’s THE COSMONAUT. Featuring choice selections of web content created to augment and expand the world of the film, these short videos provide audiences with a unique cinematic experience. Equal parts backstory and primer on the characters, situations, and pivotal moments in this storyworld, we invite audiences to join us for this free event and to explore this complex narrative universe. New York based filmmaker and Transmedia creator Mark Harris (THE LOST CHILDREN) will lead a creator to creator discussion with THE COSMONAUT’S Nicolas Alcala about building this unique multiplatform experience.
World Premiere
THE EMPIRE PROJECT
Directors: Eline Jongsma and Kel O’Neill – APPEARING IN PERSON
Saturday, September 28 at 4:00PM
A hidden synagogue in the mountains of Indonesia. A Dutch-style village in the Sri Lankan rainforest. A white separatist enclave in the South African desert. These are just a few of the communities brought to light in Empire, an immersive documentary project that examines the still-unfolding legacy of Dutch colonialism. Shot in ten countries over four years, Empire employs a broad range of storytelling techniques—including nonfiction filmmaking, multi- channel video projection, and experience design—to unearth the contemporary aftershocks of the world's first brush with global capitalism.
Empire's videos and installations will be on display throughout NYFF at several venues on the Lincoln Center campus including the Film Center, Walter Reade Theater, and Alice Tully Hall. Viewers are invited to chart their own course through the work, and to draw their own thematic connections as they go and then join Directors Eline Jongsma and Kel O’Neill for a discussion about the genesis of this one of a kind experiential documentary.
New York Premiere
48 HOUR GAMES
Director: Suvi Andrea Helminen - APPEARING IN PERSON
Saturday, September 28 at 5:00PM
48 HOUR GAMES is an interactive “choose your own adventure” style documentary that is as much a game as it is a film. Shot during the Nordic Game Jam, an event that annually brings together more than 300 game developers from all parts of Scandinavia, the film is an intense exploration of the creative process. Fueled by caffeine, competition, and perhaps a little madness, 48 HOUR GAMES tracks the soaring highs and depressing lows of the Game Jam teams as they work towards the epic grand finale. Originally released as an online experience for a single user, NYFF Convergence will host a fully interactive screening of the film with creator Suvi Andrea Helminen – an event that will ask the audience to chart the course of story through a process that the film magazine Ekko describes as “…somewhere in between democracy and 'survival of the fittest' – the ones who shout louder get to decide…it’s about cheering with your whole body.”
CHARLIE VICTOR ROMEO
Directors: Robert Berger, Patrick Daniels and Karlyn Michelson - APPEARING IN PERSON
Saturday, September 28 at 2:00PM, EBM Beale Theater
Derived in its entirety from black box recordings of true airline emergencies, CHARLIE VICTOR ROMEO presents the sort of visceral experience that stays with audiences long after credits roll. Originally produced as a highly successful stage play in New York’s Lower East Side, the film makes startlingly effective use of a state-of-the-art 3D process to take us to a place few civilian eyes have ever been: the other side of the steel reinforced door that separates the public from the pilots. Directors Robert Berger, Patrick Daniels and Karlyn Michelson invite their audience to play silent witness to six high-tension dramatizations possessed with a raw intensity real enough to earn multiple citations from organizations such as the Air Force, West Point, and countless professional groups across the aviation community. In equal measure startling and uplifting, CHARLIE VICTOR ROMEO is a project that demands our respect and attention.
New York Premiere
THE COSMONAUT
Director: Nicholas Alcala – APPEARING IN PERSON
Sunday, September 29 at 12:30PM, EBM
Ambitious in scale and scope, THE COSMONAUT is the very definition of what a multiplatform immersive narrative can be. Encompassing a feature film, web-based content, social media, studio albums, live events, and a documentary feature the project has garnered international attention and praise since its inception in 2009. Set in the late 1960’s, the project follows Stas and Andrei - two Russian space-farers in training who along with a cast of adventurers, scientists, engineers, and dreamers are in a race against the clock to beat the United States to space.
THE COSMONAUT EXPERIENCE
Director: Nicholas Alcala – APPEARING IN PERSON
Sunday, September 29 at 2:00PM
In 1957, the first man-made object was put in orbit. That ignited a wild race between two countries that were fighting an undercover war. Earth wasn't enough anymore. The new goal was to conquer the universe.
See the feature film then dive deeper into the world of Riot Cinema’s THE COSMONAUT. Featuring choice selections of web content created to augment and expand the world of the film, these short videos provide audiences with a unique cinematic experience. Equal parts backstory and primer on the characters, situations, and pivotal moments in this storyworld, we invite audiences to join us for this free event and to explore this complex narrative universe. New York based filmmaker and Transmedia creator Mark Harris (THE LOST CHILDREN) will lead a creator to creator discussion with THE COSMONAUT’S Nicolas Alcala about building this unique multiplatform experience.
World Premiere
THE EMPIRE PROJECT
Directors: Eline Jongsma and Kel O’Neill – APPEARING IN PERSON
Saturday, September 28 at 4:00PM
A hidden synagogue in the mountains of Indonesia. A Dutch-style village in the Sri Lankan rainforest. A white separatist enclave in the South African desert. These are just a few of the communities brought to light in Empire, an immersive documentary project that examines the still-unfolding legacy of Dutch colonialism. Shot in ten countries over four years, Empire employs a broad range of storytelling techniques—including nonfiction filmmaking, multi- channel video projection, and experience design—to unearth the contemporary aftershocks of the world's first brush with global capitalism.
Empire's videos and installations will be on display throughout NYFF at several venues on the Lincoln Center campus including the Film Center, Walter Reade Theater, and Alice Tully Hall. Viewers are invited to chart their own course through the work, and to draw their own thematic connections as they go and then join Directors Eline Jongsma and Kel O’Neill for a discussion about the genesis of this one of a kind experiential documentary.
New York Premiere
48 HOUR GAMES
Director: Suvi Andrea Helminen - APPEARING IN PERSON
Saturday, September 28 at 5:00PM
48 HOUR GAMES is an interactive “choose your own adventure” style documentary that is as much a game as it is a film. Shot during the Nordic Game Jam, an event that annually brings together more than 300 game developers from all parts of Scandinavia, the film is an intense exploration of the creative process. Fueled by caffeine, competition, and perhaps a little madness, 48 HOUR GAMES tracks the soaring highs and depressing lows of the Game Jam teams as they work towards the epic grand finale. Originally released as an online experience for a single user, NYFF Convergence will host a fully interactive screening of the film with creator Suvi Andrea Helminen – an event that will ask the audience to chart the course of story through a process that the film magazine Ekko describes as “…somewhere in between democracy and 'survival of the fittest' – the ones who shout louder get to decide…it’s about cheering with your whole body.”
New York Premiere
NO MORE ROADTRIPS?
Director: Rick Prelinger – APPEARING IN PERSON
Saturday, September 28 at 9:00PM
Artfully assembled from thousands of home movies and amateur films, NO MORE ROAD TRIPS?, the latest film from archivist and filmmaker Rick Prelinger (LOST LANDSCAPES OF SAN FRANCISCO; LOST LANDSCAPES OF DETROIT), explores the highways and byways of a period in American history that may well be in our rearview mirror. Focusing on road culture and the idea of “peak travel,” the film is a participatory experience that depends upon audiences to provide the soundtrack and narration. NO MORE ROAD TRIPS? is a perpetual work in progress, a piece that cannot be completed until you, the audience, lend your voice to the images to this one of a kind interactive cinema experience.
KEYSTONE PRESENTATIONS
CAPTAIN AHAB’S MOTORCYCLE CLUB
Presented by Cory McAbee
Sunday September 29, 5:00PM
Writer, musician, director, actor Cory McAbee (AMERICAN ASTRONAUT, STINGRAY SAM; CRAZY & THIEF) returns to the Film Society to discuss his most recent project, THE EMBALMER’S TALE. Set in an America still reeling from the Civil War, the film charts the 1600 mile journey that carried the body of President Abraham Lincoln from Washington, DC to Springfield, Il, and the lives of the soldiers, surgeons, and morticians tasked with keeping the president’s remains intact. Through a global collaborative known as CAPTAIN AHAB’S MOTORCYCLE CLUB, McAbee is leading a band of fans, filmmakers, illustrators, actors, and artists in creating a crowdsourced storyworld of epic scope. In a presentation featuring live music and video pieces from the project, McAbee will share anecdotes from the front lines of this truly original experiment in collaborative art.
THE CLOUD CHAMBER MYSTERY
Presented by Christian Fonnesbech and Frederik Øvlisen
Saturday September 28, 11:00AM
Billed as the world’s first premium online mystery community, CLOUD CHAMBER is an enthralling collaborative experience that is part alternate reality game, part film, part social network, and in its way altogether original. Players are asked to work together via a single web portal to uncover the story of a young scientist who risked her sanity and betrayed her father in order to save humanity from its most dangerous enemy: itself. The project stars Gethin Anthony (Game of Thrones) and Jesper Christensen (CASINO ROYALE, QUANTUM OF SOLACE) and is produced by Vibeke Windeløv (BREAKING THE WAVES, DOGVILLE). In a session featuring an in-depth exploration of this unique storyworld, director Christian Fonnesbech and CEO Frederik Øvlisen will discuss the genesis of the project and their vision as well as the challenges involved with building and marketing this new interactive experience.
HOLLOW AND THE CALL TO ACTION: ELAINE McMILLION ON THE ROLE INTERACTIVE DOCS PLAY IN ONGOING NARRATIVES
Presented by Elaine McMillion
Sunday September 29, 11:00AM
Launched in 2013, HOLLOW is an interactive documentary that merges cinematic techniques with web-based storytelling to encourage a dialogue about the issues facing small town America. Part of a new wave of documentary cinema that creates immersive environments that literally calls their audiences to action, HOLLOW is a story of hope that strives to not only address the issues through storytelling but help provide potential solutions. Director Elaine McMillion will take the Convergence stage to reflect on the project and the evolution of the documentary creator from filmmaker to facilitator, offering audiences an insider’s view to this essential piece of contemporary web-based storytelling.
World Premiere
A SHORT HISTORY OF THE HIGHRISE
Director: Katerina CizekProduced by the National Film Board of Canada and The New York Times
Monday September 30, 7:00PM
A SHORT HISTORY OF THE HIGHRISE is an interactive documentary series that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. The centerpiece of the project is four short films. The first three (MUD, CONCRETE and GLASS) draw on The New York Times's extraordinary visual archives, a repository of millions of photographs which have largely been unseen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photographs brought to life with intricate animation. The fourth chapter (HOME) is comprised of images submitted by the public. The interactive experience incorporates the films and, like a visual accordion, allows users to dig deeper into the project’s themes with additional archival materials, text and micro-games. The festival premiere will include a screening of the films, followed by a walkthrough demonstration of highlights from the interactive experience.
PANELS
MAKING MOVIES AS THE ULTIMATE SOCIAL MEDIUMPresented in collaboration with Digital Hollywood NYC
Saturday, September 28 at 2:00PM
In the early 2000’s advances in inexpensive digital video cameras and easy to use editing software placed the means of production in the hands of any person with the will to become a filmmaker. It wasn’t long before web sites like YouTube and Vimeo provided creators with a way to get their work seen by a global audience. Technology is once again revolutionizing filmmaking – from professional creators to novice makers – this time fueled by crowdfunding and microfinance sites likes Kickstarter, IndieGogo, and Seed & Spark. With technology, distribution, and finance readily available to hungry creatives this panel of industry pros asks the question “has there ever been a better time to create content?”
PRODUCING CONVERGENCE: A HISTORY OF MULTIPLATFORM COLLABORATION
Presented in partnership with the Producers Guild of America New Media Council.
Saturday, September 29 at 3:30PM
The Producers Guild of America (PGA) has been recognizing producers working on platforms beyond television and movie screens for a decade, and in that time, the opportunities to create new media types has expanded exponentially. Seasoned PGA members will share some of their early work integrating the creative process on multiple platforms and describe how those techniques have evolved into what we see today. We will discuss the process, business models, team and tools, as well as the ins and outs of working with producers on multiple platforms as it relates to projects involving: film, animation, digital distribution and platform extension. The art of producing holds many similarities even though the art that is produced may lead to very different experiences. How do leaders in the field keep a handle on creative consistency while breaking new ground with technology? How do you produce successful convergent material?
TRANSMEDIA STORYTELLING & DOCUMENTARY FILM
Presented in partnership with the Writers Guild of America, East.
Saturday, September 28 at 12:30PM
The word “transmedia” often conjures images of interactive worlds filled with fictional characters and vast story arcs yet some of the most compelling work being done by creators today is in field of immersive, multiplatform documentaries. Moderated by Orlando Bagwell (MLK; Hymn: Remember Alvin Ailey; JustFilms), this panel will explore some of the most intriguing work being done in the field today - nonfiction pieces that tell their story in film, television, online, and in living color - and discuss the profound effects of synthesizing the cutting edge storytelling techniques with riveting documentary material. Featuring panelists actively developing immersive projects and those engaging with the form for the first time the discussion promises a twist on the classic adage – that the truth can be much more engaging than fiction.
PLATFORM AGNOSTIC, BRAND SPECIFIC
Presented in collaboration with Digital Hollywood NYC
Sunday, September 29 at 12:30PM
What do trendy tastemakers, magazine publishers and traditional television networks have in common? They all need to become platform agnostic and transcend their roots to cross into new and uncharted territory. While Daily Candy is transforming from an aggregator into an original content generator with high aspirations, Condé Nast has long provided filmmakers with material for first-rate adaptations. HBO and Bravo on the other hand started out as TV’s innovators on cross platform extensions and quickly left their TV roots behind for HBOgo and Bravo-online. What does it take to succeed in a world increasingly defined by the content produced and less by the means audiences discover it and what can indie creators learn from these trendsetters?
CONVERGENCE EVENT SCHEDULE
SATURDAY
SATURDAY
Saturday September 28, 11:00AM
KEYSTONE: THE CLOUD CHAMBER MYSTERY
Presented by Christian Fonnesbech and Frederik Øvlisen
Saturday, September 28 at 12:30PM
PANEL: TRANSMEDIA STORYTELLING & DOCUMENTARY FILM
Saturday, September 28 at 2:00PM, EBM Beale Theater
Saturday, September 28 at 2:00PM, EBM Beale Theater
EXPERIENCE: CHARLIE VICTOR ROMEO - New York Premiere
Directors: Robert Berger, Patrick Daniels and Karlyn Michelson - APPEARING IN PERSON
Saturday, September 28 at 2:00PM
Directors: Robert Berger, Patrick Daniels and Karlyn Michelson - APPEARING IN PERSON
Saturday, September 28 at 2:00PM
PANEL: MAKING MOVIES AS THE ULTIMATE SOCIAL MEDIUM
Saturday, September 29 at 3:30PM
Saturday, September 29 at 3:30PM
PANEL: PRODUCING CONVERGENCE: A HISTORY OF MULTIPLATFORM COLLABORATION
Saturday, September 28 at 4:00PM
Saturday, September 28 at 4:00PM
EXPERIENCE: THE EMPIRE PROJECT - World Premiere
Directors: Eline Jongsma and Kel O’Neill – APPEARING IN PERSON
Saturday, September 28 at 5:00PM
Directors: Eline Jongsma and Kel O’Neill – APPEARING IN PERSON
Saturday, September 28 at 5:00PM
EXPERIENCE: 48 HOUR GAMES - New York Premiere
Director: Suvi Andrea Helminen - APPEARING IN PERSON
Saturday, September 28 at 9:00PM
Director: Suvi Andrea Helminen - APPEARING IN PERSON
Saturday, September 28 at 9:00PM
EXPERIENCE: NO MORE ROADTRIPS? - New York Premiere
Director: Rick Prelinger – APPEARING IN PERSON
Director: Rick Prelinger – APPEARING IN PERSON
SUNDAY
Sunday September 29, 11:00AM
KEYSTONE: HOLLOW AND THE CALL TO ACTION: ELAINE McMILLION ON THE ROLE INTERACTIVE DOCS PLAY IN ONGOING NARRATIVES
Presented by Elaine McMillion
Sunday, September 29 at 12:30PM
KEYSTONE: HOLLOW AND THE CALL TO ACTION: ELAINE McMILLION ON THE ROLE INTERACTIVE DOCS PLAY IN ONGOING NARRATIVES
Presented by Elaine McMillion
Sunday, September 29 at 12:30PM
PANEL: PLATFORM AGNOSTIC, BRAND SPECIFIC
Sunday, September 29 at 12:30PM, EBM
Sunday, September 29 at 12:30PM, EBM
EXPERIENCE: THE COSMONAUT - New York Premiere
Director: Nicholas Alcala – APPEARING IN PERSON
Director: Nicholas Alcala – APPEARING IN PERSON
Sunday, September 29 at 2:00PM
EXPERIENCE DISCUSSION: THE COSMONAUT EXPERIENCE
Director: Nicholas Alcala – APPEARING IN PERSON
EXPERIENCE DISCUSSION: THE COSMONAUT EXPERIENCE
Director: Nicholas Alcala – APPEARING IN PERSON
Sunday September 29, 5:00PM
KEYSTONE: CAPTAIN AHAB’S MOTORCYCLE CLUB
Presented by Cory McAbee
KEYSTONE: CAPTAIN AHAB’S MOTORCYCLE CLUB
Presented by Cory McAbee
MONDAY
Monday September 30, 7:00PM
KEYSTONE: A SHORT HISTORY OF THE HIGHRISE - World Premiere
Director: Katerina Cizek
KEYSTONE: A SHORT HISTORY OF THE HIGHRISE - World Premiere
Director: Katerina Cizek
MORE STORIES ABOUT NYFF 2013
MAIN SLATE: NEW YORK FILM FESTIVAL 2013
SPIKE JONZE's "HER" WILL CLOSE NYFF 2013
TOM HANKS STARS ON OPENING NIGHT AT THE 2013 NEW YORK FILM FESTIVAL
MORE STORIES ABOUT TRANSMEDIA
TRANSMEDIA AT NYFF 50
DIANE PAULUS AND RANDY WEINER (with video)
SLEEP NO MORE - REVIEW AND GUIDE
SHARE THIS STORY!
Labels: convergence, film society of lincoln center, FilmLinc, Matt Bolish, New York Film Festival, NYFF 2013, transmedia
