omplete QPORIT

Thursday, June 11, 2015



In a Press Conference before the E3 Convention, Oculus discussed the current state of the OCULUS RIFT.

The Oculus Rift appears to be the most advanced VR system, informed by the utmost attention to detail, and built on the most meticulous research into what makes a fine VR platform.

We have noted some of the most important items discussed at the Press Conference below.

But first, we do need to discuss some of the shortcomings, and some of the omissions at the Press Conference.

As a performance, the Press Conference did not have the energy or the quality of keynotes at leading developer conferences (like Microsoft BUILD, Apple WWDC or Google I/O) and, frankly, they need a writer/director/producer skilled in live events to create an event worthy of their product. (To be fair, of course, talking to a Press Conference filled with skeptical reporters is not like addressing a Keynote audience filled with partisan developers and seeded with cheering employees.)

The Press Conference did not discuss the details of the all-important specs for the final product, such as resolution (expressed as total pixels or pixels per degree), nor its FOV (Field of View), nor did they discuss the requirements for the host computer and the interface between the computer and the headset.

They also did not discuss GEAR VR, the mobile VR platform developed in conjunction with Samsung. They also made almost no mention of any possible applications for the Oculus Rift other than games.

For me, the biggest void in the Oculus Universe is the absence of any developer relations office in New York. They have a job opening for “Publishing and Developer Relations” in London, but not in NY!

Here's what was revealed:










The Oculus Rift continues to be the leading system for Virtual Reality.
 They are proceeding with the utmost care and attention to detail and research into creating a superior VR experience.

Oculus will present again at CONNECT 2, The OCULUS DEVELOPERS CONFERENCE, in September.

The Oculus Rift will be publicly available in Q1 2016.

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Sunday, May 24, 2015



Why use a screensaver when you can see 
nature raw 
in high definition and full screen
with the quite spectacular collection of nature cams at 

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Wednesday, April 29, 2015



ANS: anyone with access to your phone (including hackers and perhaps your OS provider).

NBC Nightly News tonight reported that your phone may store the time, date, and location of everywhere you go, and store it, and possibly send it back to your OS provider.

My older Android phone does not seem to do this; at least I could not find it.  I did find it on a iPhone.

You can find the information on your phone and delete or block it as follows:

For an iPhone:
Click on Settings from your home screen.
Click Privacy.
Next, click on Location Services.
Scroll down to System Services.
Click on Frequent Locations, where you can clear the history of where you've been, and then turn off Frequent Locations.
For an Android:
(Steps vary depending on phone model.)
Click on Settings from the home screen.
Click on Location preferences.
Disable the Google Location History and it will be turned off.


By the way, giving access to lots of services on your phone necessary (or not) for Apps to run can allow a lot of personal information to be retrieved by the App maker.

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Microsoft is bringing the BUILD conference to New York
in a one-day event on 
May 18.

For information and to register:

*   ***   *

APRIL 2015

BUILD is Microsoft's Developers' Conference.

MS streamed the keynote live.  (They have a nice STREAMING video channel: CHANNEL 9 -- I'm guessing it will be Channel 10 before too long.

They talked about 
  • Microsoft Store
  • Azure (their cloud)
  • Windows 10
  • Windows Edge (new browser)
  • Hololens

    Here's my take...

    First of all, they are making a strong effort to create a platform that will extend over the largest possible number of devices, including IoT (Internet of Things) devices.  And they are trying, on the one hand, to create a development system which, with one code and content base, a developer can reach the entire ecosystem of devices; and, on the other hand, especially with Azure, to create a platform which will accomodate any development software a developer wishes to use. (Those goals might co-exist, or they might confict.)

    It should be said at the outset that the keynote did not have the simplicity and clarity (of, say, an Apple event --  or the MS events of years ago) that one might hope for.  Especially at the beginning, the BWpM score (Buzz-Words per Minute) was so high that not even a UN translator could have rendered it all into English, intelligible to anyone who is not an MS insider already developing 24/7 (dreams in code, only).

    The talks did not give any dates for public releases (July is estimated by some for Windows 10) but developer code is becoming available now.

    Here are some things that struck me as interesting in the talk:

    • Windows 10 is designed to operate seamlessly and interchangeable on everything.
    • Azure is designed to be extremely versatile for lots of code choices; it is not clear whether it will be simple or inexpensive to use.
    • The Microsoft Store is growing and becoming more useful
    • Windows Edge continues the theme: to leverage the concept of anything, anywhere 
    • Hololens is really interesting.

    Hololens is one of several new types of eyewear coming soon from various vendors that enable VR (putting you an a virtual reality room) and AR (Augmenting Reality by adding information to your real environment).  Hololens, which puts virtual 3D objects into your environment, seems to be mostly AR, but with some VR capabilities. (Kinect was a first step toward Hololens.)

    Hololens can survey your actual environment in real-time in 3 dimensions. It has additional position and other real-time sensors. It can project models and data into your visual space. (Remember Minority Report?) It has independent computing power, so it does not need wires. It looks cool.

    Development for Hololens can begin (Microsoft suggests) by learning Unity.

    It can have many applications in entertainment, education, marketing, and business.  Perhaps even police work. (Remember Minority Report?)

    All in all, Microsoft made a very strong case for the value and power of developing with new Microsoft Software.  The case for ease of development not so much.  

    The techy nature of the keynote (well, it is a tech conference) however, did not provide much guidance as to the ability of Microsoft to compellingly market compelling consumer-ware.



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    Thursday, April 23, 2015




    7 PM APRIL 24, 2015 thru 7 AM APRIL 25

    French Embassy & Ukrainian Institute of America
    Fifth Avenue and 79th Street

    A VERY interesting live event is developing for tomorrow night, developed by Mériam Korichi and presented by Cultural Services of the French Embassy, the Ukrainian Institute of America, the Onassis Cultural Center NY and the FACE Foundation.

    "From 7pm to 7am, philosophy will occupy the historic corner of Fifth Avenue and 79th Street. Come and experience an innovative and original nocturnal happening, with over 80 events ranging from philosophical lectures to artistic performances, from theatre to video art, from songs to dance and DJ sets.

    Come and experience philosophy as performance.

    Events will simultaneously happen in all corners of the two mansions. Roam free throughout the unique settings of the French Cultural Services and the Ukrainian Institute of America, stumble upon enlightening talks, piano improvisations, unexpected performances, a musical spacecraft fallen from the sky. It will make you see philosophy, and night, in a whole new light.

    The entire event is free and open to all.

    Coffee will be provided all night with croissants as the sun rises!"

    Update, April 25.  The event was interesting and fun for me, but I was lucky. There were some 15,000 people that said on Facebook they were coming, but the buildings held only a few hundred at any one time.  I arrived about 45 minutes early and fortunately was in the group that was admitted right away. Lines persisted long into the night, as people were admitted only to replace those that left.  (At 1:30 AM the line to get in held several hundred people: three deep for a full city block.  But the people on line seemed to be having a good time.)

    Although it was interesting, and I enjoyed it, and I saw numerous small groups (of 2,3,4,5.. people) near the bar discussing philosophy, it has to be admitted that the program had some fundamental problems.  The first talk I attended, for example, "Must Intellectual Life Be Boring" was really boring.  Actual talks were rarely as interesting as their titles. The problems with the philosophical talks were largely two-fold:

    1- They were too short: it was impossible to present any non-trival philosophical idea in the time available.  Some speakers tried to give complex arguments that could not be justified in the available time; others simply made the most obvious, elementary remarks. In both cases, speakers used too many unsupported (and often unsupportable) sweeping generalizations.

    2- The talks were badly presented: some speakers talked too softly; some used non-English expressions, or big, fancy, often Greek, words when little English words would have been clearer and more accurate; sometimes noise from outside the room drowned out the speaker.

    The presentation of a reading of The Marquis de Sade's "Philosophy in the Boudoir" was interesting, but a bit bizarre: there are two central female characters, the main personalities: the older, libertine, woman protagonist, and the virgin girl being "educated". The first character was portrayed by a man, the other was completely omitted. 

    All in all I thought it was a great idea, and much of the execution (once you got inside) was excellent, but to present "Philosophy in Performance" needs more effort to guarantee the quality of the performance, And more attention needs to be given to matching the size of the potential audience with the capacity of the venue.





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    Thursday, April 16, 2015




    Three Day Intensive
    An Introduction to Commercial Producing 

    Friday, April 17th 8:45 AM - 5:45 PM
    Saturday, April 18th 9:00 AM - 5:30 PM
    Sunday, April 19th 9:00 AM - 1:30 PM

    at The Snapple Theater
    210 W 50th St

     Networking receptions will follow the courses both Friday and Saturday

    I attended the CTI 3 Day Intensive some years ago. It is the gold standard for understanding the commercial theater, Broadway in particular. The line-up is a fantastic collection of the most savvy producers and theater professionals.

    The networking alone is worth the price of admission.

    In the course, you learn the basic economic and creative facts about commercial theater. It prepares you, as well, for the advanced and more specific and detailed additional courses the CTI provides during the year in the basic facets of producing commercial theater.

     If you are interested in producing, or just understanding Broadway and the commercial theater, the CTI 3-Day Intensive is the prerequisite.

     "Here's the door that opens the world of producing to you. This program gives you a comprehensive overview of producing for the commercial theater, with sessions including specific case histories, budgets, sample agreements, and is renowned for its networking opportunities. Come together with Broadway's hit makers and the producers of the future as well as the service professionals that you'll need to make you a success."

    With guests
     Tom Viertel, Executive Director of Commercial Theater Institute 

    and topics including

     For full details on the topics, speakers, panels, & networking opportunities;

    Older stories in QPORIT on CTI



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    Tuesday, April 14, 2015



    Film Festivals are a great place to meet the stars of tomorrow, both actors and directors.

    Robin Rose Singer is a Rapidly Rising Star. She wrote, starred in, and co-produced the short APHASIA which will get its world premiere at the Tribeca Film Festival in the FML Shorts program. (FML is slang for "Fuck My Life" -- or any other reasonably similar expression for which the acronym fits.) I've seen her act (impressively) in Serious Shakespeare and modern comedy, she's worked in film and on stage, including starring in a martial arts themed version of Electra. She starred in the HIFF feature film selection "Kisses, Chloe" a few years ago. In addition to being a terrific, versatile actress, she is smart, reliable, nice, and beautiful.

    APHASIA is very well written, directed and acted, and although it was made as an indie film, it has the production design, and production values of a major studio production. It's worth seeing, not only to get a handle on some important new talent (they are planning to attend the screenings), but especially because it's a good film that's... worth seeing.

    Directed by Luke LoCurcio
    Screenplay by Robin Rose Singer
    Cinematography by Shawn Greene
    Production Design by Anna Kathleen
    Starring Robin Rose Singer and Frankie J. Alvarez

    "what price are you willing to pay for plugging in?"
    sci-fi/drama/short narrative | running time:12’19” | country: USA

    "Emily is your average 20-something in 2018. She texts her friends, orders food
    online, and uses GPS to get where she’s going. When her online crush, Austin,
    messages her to suggest meeting in person for the first time, Emily suddenly
    comes face to face with the consequences of living a digital life."


    screening schedule including Press/Industry screenings

    04/16/2015 6:30 PM 7:43 PM Public Screening
    04/17/2015 12:30 PM 1:43 PM Press/Industry Screening
    04/20/2015 8:30 PM 9:43 PM Public Screening
    04/22/2015 4:30 PM 5:43 PM Public Screening - FES
    04/25/2015 4:30 PM 5:43 PM Public Screening


    (Note: BE AWARE! As of publication of this article, 
    there are only a limited number of seats available!)




    We've covered Robin before, here are some other stories in QPORIT:




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    Saturday, April 11, 2015



    The neutron-proton mass difference -- approximately 2 and a half times the mass of an electron -- was calculated for the first time from the basic principles and properties of the "Standard Model".

    In this calculation, according to the authors, the mass "difference results from the competition between electromagnetic and mass isospin breaking effects". The calculation was done using a lattice (to approximate space-time) and four model quarks.

    A report is available on ARXIV:

    The paper is published in SCIENCE Mar 27, 2015.
    Science Magazine > 27 March 2015 > Borsanyi et al., 347 (6229): 1452-1455

    The authors are: Sz. Borsanyi , S. Durr, Z. Fodor, C. Hoelbling, S. D. Katz, S. Krieg, L. Lellouch, T. Lippert1, A. Portelli, K. K. Szab, and B. C. Toth, from Germany, Hungary, France and the UK.

    Neutron Mass: 939.565 MeV/c^2 = 1.67493*10^-27kg 
    Proton Mass:    938.272 MeV/c^2 = 1.67262*10^-27kg
    difference:           1.293 MeV/c^2 = 0.00231*10^-27kg

    Electron Mass:    0.511 MeV/c^2 =   0.0009109*10^-27kg

    For more background...


    The fact that the neutron is heavier than the proton is essential to the stability of matter, so understanding this fact is extremely important!

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    Tuesday, April 07, 2015



    One World Trade Center Observation Deck opens May 29th. 
    Tickets on sale April 8 (tomorrow)



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    Tuesday, March 31, 2015



    The recent introduction (mid-March 2015) of Meerkat, followed by Periscope, both centered on Twitter, has invigorated the community of Live Streamers. It is quite easy now to become your own Broadcast Studio, sending out to the world a live stream from your home or, using your mobile device, your location, (almost) wherever you might be.

    In addition to the new guys (Meerkat and Periscope) there are older streaming services like UStream and LiveStream.

    Note that Meerkat and Periscope are, as of today, only available on iOS, and Periscope may not be available from the App Store link, but rather on iTunes (see below).

    Here are some general tips...

    1 - Not a good idea to take your streaming device into the bathroom, or have it lying around when you are changing. Devices have a way of turning on when you aren't expecting them to peep at you.

    2 - Be careful about allowing location services; they may reveal your address when you are not planning to make it public.

    3 - People have to find your broadcast. 

    3a- A short broadcast may be over before they find it. To gather viewers, longer broadcasts are necessary. 

    3b- It might help to promote a planned scheduled broadcast on Twitter, Facebook, your own website, etc; or use a prior streaming promo to announce a later broadcast. 

    3c Get Followers; they will have an easier time finding you.

    4 - There is no really good way yet to find or search for the "right" streaming broadcast. Some primitive ways are:
    twitter: @PeriscopeTV

    5. Using phone carriers, streaming may gobble up data; using wi-fi outside the home, you have to find a connection to wi-fi before you can broadcast.

    6. As of now, Meerkat broadcasts are not saved, Periscope streams can be saved for 24 hours; neither can be saved to your own site or YouTube (without hacking). UStream and LiveStream can be saved to YouTube.

    7. Streams can be made private or public; you can allow or disallow chat from viewers; you can allow or disallow location sharing. Periscope streams will show the number of current viewers and can show a cloud of hearts if people like your broadcast.

    8. Some people have complained about the ads on UStream (on the UStream App reviews). I found some buggy problems while testing Periscope and Meerkat.

    9. UStream and LiveStream are older and more mature than Periscope and Meerkat and have a bigger support system. Lots of things are called "periscope"; to find info about the Periscope Streaming App, use a more specific search, such as "periscope streaming" or "Periscope TV" 

    10. These new streaming Apps are very, very easy to use. But without easy to access instructions, it is easy to make a mistake (see some of the warning notes above) at first. Be careful. 







    Here's a video hands-on with Periscope when it first came out. 
    (Note: It may have changed a bit since then.)

    (Note that features may change over time; "notifications" have already changed.)

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    Wednesday, March 25, 2015



    In tonight's episode of The Americans, Lois Smith, one of our truly great actresses, does a brilliant turn as an old woman in the wrong place at the wrong time. After a soft spoken almost friendly encounter, she speaks sudden, bitter, and surprising truth.




    Not her biggest role, but nevertheless one of Lois' many exceptional roles was in FIVE EASY PIECES, one of my all-time favorite films, a special gem of a film, not to be missed by anyone who loves film and great ensemble acting:




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    Sunday, March 15, 2015


    RACONTR will be at SXSW


    RACONTR is like YouTube on steroids: That is, Not just video: interactive videos, plus interactive text, audio and images; interactive multipage transmedia projects;  plus multiple ways to deploy; and easy to use construction -- with programming unnecessary but available if you want it.

    Here are some things you can do with RACONTR





    All this requires no programming.  However, if you wish to, you can add CSS and JavaScript programming to enhance a project.

    RACONTR is a French (and international) company just launching its Official Beta Program after a private Beta introduction. It continues to develop its offering in both French and English.

    RACONTR will be at the French Pavillion at SXSW and will be participating in a Panel on Monday 3/16.

    After using RACONTR, my feeling is that it has the potential to become the successor to YouTube for INTERACTIVE productions. It is a powerful and very versatile program, while maintaining a basic simplicity for the user.




    (Note: Run the slides above at slideshare to find the block party!)

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    Saturday, March 14, 2015


    PI DAY

    Hey! We have another interesting date. It's PI day! Today is


    PI day (March 14, 3/14) happens once a year, but this special PI day (3/14/15) happens only once a century!

    Today it would also be

    3/14 1:59:26.5358979

    at approximately 1:59:26.5358979 AM or PM.

    PI = π

    is the ratio of the circumference of a circle to its diameter (or to 2 times its radius) or:

    circumference =  π. * diameter ( = 2 * π * radius)

    The value of PI to 16 digits is...


    PI is an irrational number, which means that when you write it as a decimal there is no limit to the number of digits: it is infinitely long.  (That's why the time above is approximate.) Here's the value of PI to a million digits:

    For more about PI


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    Wednesday, March 04, 2015



    YouTube has opened up "SPACES" in Los Angeles, Tokyo, Sao Paulo, London and New York.

    A YouTube SPACE holds technical sessions, networking gatherings of YouTube creators, and it provides a studio for production. Most facilities are available to anyone. (Note: Access to the production facilities typically require a significant number of subscribers.)

    As you can see from the list of resources below, YouTube is making a serious effort to get you to create great stuff (and even monetize it: see the Support Site, for example, for information on becoming a "Partner").

    Here are the events scheduled in March for New York:

    Thu 3/12 4-7 Unlock The Space
    Mon 3/23 5-7 Build Your Channel
    Wed 3/25 7-9 Happy Hump Day!
    Thu 3/26 4-7 Unlock The Space

    I've been to several of these sessions in the past and found them very valuable!

    Unlock The Space

    Thurs, 3/12 @ 4PM-7PM 
    Thurs, 3/26 @ 4PM-7PM

    Do you have 5,000 subscribers or more and want to take more advanced workshops, meet other creators at your level and get access to start of the art production resources?

    Beyond Vlogging

    Mon, 3/23 @ 5PM-7PM

    This class is a deep dive on the effectiveness of talking to the camera in your YouTube videos, and how to make sure the real, authentic you comes across on camera.

    CREATOR HAPPY HOUR: Happy Hump Day!

    Wed, 3/25 7PM-9PM

    Get through your hump day at the next monthly happy hour! Meet other creators, share war stories, snacks and drinks and find your next collab buddy. We'll also have a SpaceBar where you can ask a YouTube strategist important creative and audience growth questions.

    Here are the web home pages for the SPACES in different cities:







    (SPECIAL NOTE: If you like traveling, there are different exciting events at each locale!)





    New York (and probably other) Spaces have a newsletter
    (check at the NY Space link above to sign up)

    "HOW TO BE A HIT ON YOUTUBE" by Ian Betteridge is a fine mag-book













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    Monday, March 02, 2015



    MARCH 6-15

    Opening Night
    U.S. Premiere of Benoît Jacquot’s 
    3 Hearts
    with Charlotte Gainsbourg,
    Chiara Mastroianni, and Catherine Deneuve,

    Closing Night
    A comedy from director Quentin Dupieux

    In Person Appearances will include
    Cédric Anger, Nathalie Baye,
    Lucie Borleteau, Thomas Cailley, Guillaume Canet,
    Stéphane Demoustier,Charlotte Gainsbourg,
    Christophe Honoré, Armel Hostiou, Benoît Jacquot,
    Cédric Jimenez, Cédric Kahn, Ariane Labed,
    Melanie Laurent, Abd Al Malik,
    Chiara Mastroianni, Celine Sallette, Frederic Tellier,
    and many more

    With the 20th Anniversary of Rendez-Vous with French Cinema, March 6-15, 2015, the Film Society of Lincoln Center and UniFrance films celebrate the best in contemporary French film at the Film Society of Lincoln Center, the IFC Center, and BAMcinématek.

    The lineup consists of 22 feature films and four short films making their New York, U.S., or North American premieres.

    This anniversary year marks a special acknowledgment in support of French cinema with the appointment of two festival Co-Chairs, Nathalie Baye and Martin Scorsese.

    The lineup includes a focus on New French Noirs, in the great tradition of Jean-Pierre Melville and Claude Chabrol, with

    The festival will also introduce new talent—

    Several seasoned directors will return to introduce their latest oeuvres,

    The Opening Night selection features the return of master filmmaker Benoît Jacquot and the U.S. premiere of 3 Hearts, a touching and tense drama about destiny, connections, and passion surrounding a classic love triangle between Benoît Poelvoorde (Man Bites Dog), Charlotte Gainsbourg (Nymphomaniac, Melancholia), and Chiara Mastroianni (Persepolis).

    Director Quentin Dupieux (Rubber) will close the festival with his latest film, Reality, a comedy shot in Los Angeles that stars the hilarious French veteran Alain Chabat with Eric Wareheim and Jon Heder (Napoleon Dynamite), and features Philip Glass’s Music with Changing Parts. The film weaves together the journeys of an 8-year-old girl who finds a mysterious VHS tape, a failed filmmaker shooting his first horror movie, and a culinary TV host who loses his self-confidence because of an imaginary skin disease.

    The 20th Anniversary edition of the festival will also introduce audiences to new voices, including

    Many established actors and filmmakers will also be celebrated this year—in very new roles.

    Audiences will also have an opportunity to watch the remarkable Catherine Deneuve, who stars in three films this year—3 Hearts, In the Courtyard (for which she received a César nomination), and In The Name of My Daughter. The latter also stars Guillaume Canet (Tell No One director), who can also be seen in Next Time I’ll Aim for the Heart, in which he plays notorious serial killer Alain Lamare (here renamed Franck Neuhart) opposite Ana Girardot (The Returned).

    Award winners are well represented throughout the lineup, including

    The 20th Anniversary also marks the fourth year collaborating with Emerging Pictures on a select number of titles. The films will screen in venues across the country contemporaneously with their showings at Lincoln Center via Emerging’s network of digital theaters. Q&As from the Film Society venues will be broadcast live to many of those locations. The selected titles include Eat Your Bones, Gaby Baby Doll, Hippocrates, In the Courtyard, Love at First Fight, Portrait of the Artist, and Stubborn.

    In addition to the film program, there will be a number of special events, including Free Talks with Nathalie Baye, Guillaume Canet, and Mélanie Laurent, a photo exhibit of influential French filmmakers, live musical performances, a retrospective of director Benoît Jacquot, and much more! (See the details of these events after the descriptions of the films!)


    General Public Tickets for the 2015 Rendez-Vous series at all three locations are available online for each participating venue at, and

    respectively, as well as directly from the box offices. 

    For more information, please visit

    Tickets for Opening Night at Alice Tully Hall will be available online at

    FSLC’s Walter Reade Theater is located at is 165 West 65th St. (between Amsterdam Avenue and Broadway)

    The Elinor Bunin Munroe Film Center is located at 144 West 65th Street (between Amsterdam and Broadway).

    Alice Tully Hall is located at 1941 Broadway. 

    The IFC Center is located at 323 Sixth Ave. at West 3rd Street. 

    BAMcinématek is located at 30 Lafayette Avenue, Brooklyn. 


    Main Venues: 
    BAMcinématek (BAM)
    IFC Center (IFC)
    Walter Reade Theater (WRT)

    Opening Night: 
    Alice Tully Hall (ATH)

    Opening Night

    3 Hearts / 3 Coeurs

    Benoît Jacquot, France/Germany/Belgium, 2014, DCP, 106m
    French with English subtitles

    While traveling through a small provincial town, reserved and melancholic Parisian Marc (Benoît Poelvoorde, Man Bites Dog) meets by chance Sylvie (Charlotte Gainsbourg), a mysterious and beautiful stranger. The two spend a magical night together and fall madly in love. Without exchanging names or information, they agree to meet by a fountain in Paris, à la An Affair to Remember—but as in that classic tearjerker, fate conspires against them. Thinking herself jilted, Sylvie returns to her past life, whereupon Marc meets and woos Sophie (Chiara Mastroianni)—blissfully unaware that she’s Sylvie’s sister. Benoît Jacquot, whose Farewell, My Queen was a highlight of Rendez-Vous 2012, directs this romantic and tragic roundelay, co-starring the luminous Catherine Deneuve (Mastroianni’s mother on-screen and off-). A Cohen Media Group release. U.S. Premiere

    Closing Night

    Reality / Réalité

    Quentin Dupieux, France/Belgium, 2014, DCP, 102m
    French and English with English subtitles

    Quentin Dupieux, the architect of Rubber (which, in case you missed it, was about a sentient, murderous tire), lets his imagination take flight again, resulting in a multi-threaded Lynchian house of mirrors. The only “reality” on view here is a little girl by that name (Kyla Kenedy) who finds a VHS tape inside the carcass of a boar her father is planning to stuff. Meanwhile, the cameraman (Alain Chabat) of a show hosted by a man in a bear suit (Jon Heder, Napoleon Dynamite himself) needs to record the perfect scream for his pet project, a film about killer TVs. You won’t want to miss this unique and hilarious reverie—much more than the sum of its quirks—featuring Philip Glass’s Music with Changing Parts, a perfect sonic analog to Dupieux’s ineffable vision. An IFC Midnight release.

    40-Love / Terre battue

    Stéphane Demoustier, France/Belgium, 2014, DCP, 95m
    French with English subtitles

    When Jérôme (Olivier Gourmet), a fiftyish department-store sales manager, loses his job, and his wife Laura (Valeria Bruni Tedeschi) leaves him for another man, all he has left are his pipe dreams and his son Ugo (first-time actor Charles Mérienne). Though only 11 years old, Ugo already shows great promise as a tennis pro, with a trainer eager to recruit him. Jerome cares for Ugo’s auspicious career only grudgingly until a startling development forces him to rethink his priorities. Playing another of his harried “ordinary men,” Gourmet brings trademark authenticity to a role that (like the film’s tennis-entendre English title) skirts both silliness and melancholy. Thanks to his efforts and the preternaturally confident young Mérienne, this first feature by Stéphane Demoustier clears the net on every serve.

    Photo copyright Alice Dardun - Gaumont

    Breathe / Respire

    Mélanie Laurent, 2014, France, DCP, 91m
    French with English subtitles

    Internationally acclaimed actress Mélanie Laurent (Inglourious Basterds) follows up her 2011 feature directorial debut, The Adopted, with a perceptive account of high-school angst and obsession. Shy 17-year-old Charlie (Joséphine Japy) becomes fast friends with Sarah (Lou de Laâge), a new arrival in their school. The outgoing Sarah coaxes Charlie out of her shell and becomes a fixture in her home, but when the two go on holiday together their relationship turns sour. Laurent trusts her gifted young stars with challenging long takes and they reward her faith in abundance. Featuring César winner Isabelle Carré (Beautiful Memories) as Charlie’s dysfunctional mother, Breathe echoes Blue Is the Warmest Color in broad strokes but paints its own striking portrait of youthful ardor and codependency. Nominated for two César Awards.


    The Connection / La French

    Cédric Jimenez, France, 2014, DCP, 135m
    French with English subtitles

    Academy Award winner Jean Dujardin (The Artist) plays radically against type in this gripping thriller from the files of the same criminal ring that inspired William Friedkin’s classic The French Connection. Dujardin is Pierre Michel, a Marseilles magistrate who dedicates himself to apprehending fearsome heroin czar Gaetano Zampa (Gilles Lellouche, Little White Lies). As in the policiers by Jean-Pierre Melville that it evokes, the principled antagonists of The Connection are two sides of a coin, more like one another than the rats in their respective organizations. Director Cédric Jimenez uses late-70s music and fashion to resurrect the disco-age backdrop against which their vendetta played out. Though highlighted by Dujardin’s Delon-esque turn, the all-star French cast includes Benoît Magimel (Isabelle Huppert’s pupil/pursuer in The Piano Teacher), and the luminous Céline Sallette (House of Pleasures) as Pierre Michel’s wife. Nominated for two César Awards. A Drafthouse Films release. U.S. Premiere

    Eat Your Bones / Mange tes morts

    Jean-Charles Hue, France, 2014, DCP, 94m
    French with English subtitles

    After his documentary/fiction hybrid debut The Lord’s Ride, which portrayed the gypsy communities of northern France, director Jean-Charles Hue reunited several of that film’s nonprofessional stars to tell the story of another Romani family. Eighteen-year-old Jason (Jason François), on the verge of baptism, finds his values tested when half-brother Fred (Frédéric Dorkel) returns from a 15-year prison stint anything but rehabilitated. The two, along with a third brother and a cousin, team up to steal a truckload of copper, but they prove to be inept criminals and unstable partners. For this dynamic and absorbing glimpse at an underrepresented culture, Hue received the 2014 Prix Jean Vigo, awarded annually to one director by the Cinema of France “for their spirit of independence and extraordinary style.” U.S. Premiere


    Fidelio, Alice’s Odyssey / Fidelio, l’odyssée d’Alice

    Lucie Borleteau, France, 2014, DCP, 97m
    French, Romanian, Tagalog, Norwegian, and English with English subtitles

    Actress Lucie Borleteau makes her feature directing debut with this insightful study of a woman situated in an almost exclusively male milieu. Sailor Alice (Ariane Labed) joins the freighter Fidelio as a replacement engineer, soon discovering that the captain, Gaël (Melvil Poupaud), is a man with whom she was once romantically involved. Though she leaves behind a fiancé on land (Anders Danielsen Lie, Oslo, August 31st), she finds her feelings for Gaël have not abated. Buttressed by a remarkable international cast, Fidelio, Alice’s Odyssey presents a rounded portrait of a passionate woman faced with difficult choices. Greek actress Labed won Best Actress at Locarno for her memorable performance. Nominated for two César Awards including Best Debut Feature.

    Gaby Baby Doll

    Sophie Letourneur, France, 2014, DCP, 88m
    French with English subtitles

    As the awkward, insecure bubbly Gaby, Lolita Chammah (Farewell, My Queen) suggests a Gallic Greta Gerwig in one of her not-quite-formed-adult roles. Upon arriving in the country, she’s promptly discarded by her boyfriend, and as solitude is not an option, the companionship-starved Gaby seeks out a replacement. She finds it in Nicolas (Benjamin Biolay), a seemingly hirsute vagabond whose shack she invites herself to share. Director Sophie Letourneur’s follow-up to 2012’s Les coquillettes is a tentative pastoral romance filled with endearing neuroses and an organically unpredictable plot, charming and moving in its investigation of why it is that some simply cannot bear to be alone. North American Premiere

    Hippocrates / Hippocrate

    Thomas Lilti, France, 2014, DCP, 102m
    French with English subtitles

    Following up his debut feature, 2007’s Les yeux bandés, Thomas Lilti takes us inside a Paris hospital—an environment he knows well, being a practicing doctor himself. Novice doctor Benjamin (Vincent Lacoste), interning in his father’s ward, makes a rookie mistake that costs a patient his life. The administration quickly covers up his wrongdoing, but the dead man’s wife begins asking questions and Benjamin’s overworked colleagues resent his nepotism. Reda Kateb (A Prophet, Zero Dark Thirty) provides the film’s moral center as Abdel, a skilled physician forced to work as an intern due to his immigrant status, struggling mightily and alone to place patient welfare ahead of staff impunity. Recalling both Arthur Hiller’s The Hospital in its cynical view of the profession and Maïwenn’s Polisse in its tough depiction of state institutions, Lilti’s biting dramedy posits that “Hippocratic” and “hypocrite” share more than linguistic affinities. Nominated for seven César Awards including Best Film. A Distrib Films release. North American Premiere

    In the Courtyard / Dans la cour

    Pierre Salvadori, France, 2014, DCP, 97m
    French with English subtitles

    National treasure Catherine Deneuve sinks her teeth into the role of Mathilde, a former social worker inhabiting an upscale apartment with her husband Serge (Féodor Atkine). When slovenly musician Antoine (Gustave Kervern) applies by chance for a caretaker job in their building, Mathilde insists Serge hire him, despite his rough manners and lack of qualifications. An unlikely friendship develops between the depressed custodian and the elegant retiree, whose dependence on Antoine increases as her grasp on reality begins to slip. Best known for light comedies like Après Vous, director Pierre Salvadori handles the shifts in tone adroitly, abetted by nuanced turns from Kervern (himself a director) and the always masterful Deneuve in a César Award-nominated performance. A Cohen Media Group release.

    In the Name of My Daughter / L’Homme qu’on aimait trop

    André Téchiné, France, 2014, DCP, 116m
    French with English subtitles

    André Téchiné, whose previous film Unforgivable was a Rendez-Vous 2012 selection, returns with another penetrating psychological drama. In 1976 Nice, young divorcee Agnès Le Roux (Adèle Haenel) falls for shady lawyer Maurice Agnelet (Tell No One director Guillaume Canet), allowing him to manipulate her into handing the casino run by her mother, Renée (Catherine Deneuve), over to the mob. The subsequent disappearance of Agnès and Maurice’s emigration to Panama with her money convinces Renée that he has murdered her, and so she swears to see justice served. Téchiné’s atmospheric recounting of the real-life Affaire Le Roux features a regal turn from Deneuve and further evidence of Haenel’s immense versatility and remarkable talent. A Cohen Media Group release. North American Premiere

    Love at First Fight / Les Combattants

    Thomas Cailley, 2014, France, DCP, 98m
    French with English subtitles

    A triple winner at last year’s Cannes, where it played in the Directors’ Fortnight, Love at First Fight offers a warm and refreshing coming-of-age story. Easygoing and naïve Arnaud (Kévin Azaïs) plans to spend the summer helping his brother in the family carpentry business. But when he meets Madeleine (Adèle Haenel), a steely young woman determined on the harshest military service and preoccupied with visions of the apocalypse, he adoringly follows her to boot camp. Thomas Cailley’s first feature may feel unmistakably familiar, yet it offers two alluring and empathetic protagonists (portrayed by equally likable actors), well-wrought humor, and gorgeous cinematography by David Cailley (the director’s brother). Nominated for nine César Awards including Best Film. A Strand Releasing release.

    May Allah Bless France! / Qu’Allah bénisse la France!

    Abd Al Malik, France, 2014, DCP, 95m
    French with English subtitles

    Celebrated rapper and spoken word artist Abd Al Malik makes his directorial debut with May Allah Bless France!, a candid account of his early life and artistic awakening that earned him the FIPRESCI Discovery Prize at the 2014 Toronto International Film Festival. Born Régis Fayette-Mikano to Congolese immigrants, he grew up in Strasbourg’s housing projects, participating in petty crimes that cost the lives of his friends. He found release in writing and performance, converting to Sufism at age 24 and penning the memoir that informed this adaptation. Marc Zinga ably inhabits the role of young Régis, movingly limning his journey to redemption. Shot in black and white, the film visually and thematically recalls Mathieu Kassovitz’s seminal urban crime drama La Haine. Nominated for two César Awards including Best Debut Feature.


    Christophe Honoré, France, 2014, DCP, 102m
    French with English subtitles

    Perhaps the most ambitious undertaking in this year’s Rendez-Vous, Métamorphoses brings to the screen reimagined tales from Ovid’s magnum opus. The narrative poem, which interweaves mythology with a history of Roman civilization, is transplanted to present-day France, where Jupiter (Sébastien Hirel) absconds with schoolgirl Europa (newcomer Amira Akili). Nestled within their courtship are interludes with Narcissus, Orpheus, and Bacchus, and humans repeatedly changed into animals. Stylist Christophe Honoré (director of the musical melodrama Love Songs, a Rendez-Vous 2008 selection) renders scenes of breathtaking natural beauty and, as befits the gods’ dalliances with mortals, near-constant eroticism. A cinematic experience like no other. North American Premiere

    My Friend Victoria / Mon amie Victoria

    Jean-Paul Civeyrac, France, 2014, DCP, 95m
    French with English subtitles

    Based on the story “Victoria and the Staveneys” by Nobel laureate (and oft-filmed author) Doris Lessing, My Friend Victoria relocates its black London heroine to contemporary Paris while retaining her essential, puppet-like passivity. As an 8-year-old orphan, Victoria (Keylia Achie Beguie) is taken into the home of a white bourgeois family for a single night, fueling her dreams of comfort and privilege for the rest of her life. As an adult (now beautifully played by Guslagie Malanda), she reconnects with the youngest son of her host family, bearing his child after a brief affair. All the while she drifts from job to job, independent yet lacking focus—except for that one night from her childhood and its revelations. Director Jean-Paul Civeyrac manages a treatise on race and class that’s subtle, moving, and refreshingly non-didactic, refusing to reduce the characters to symbols or dilute the richness of Lessing’s prose. North American Premiere

    Next Time I’ll Aim for the Heart / La Prochaine fois je viserai le coeur

    Cédric Anger, France, 2014, DCP, 111m
    French with English subtitles

    Cédric Anger, once a critic for Cahiers du Cinéma, wrote and directed this chilling chronicle of notorious serial killer Alain Lamare (here renamed Franck Neuhart and played by Guillaume Canet). In a truly mordant twist, while Lamare was terrorizing France in the winter of 1978-79, he was also an outstanding gendarme tasked with apprehending the killer. His victims were all helpless young women, whom he stalked and shot while trying to start a love affair with his pretty cleaning lady (Ana Girardot). Anger follows in the footsteps of Friedkin and Fincher in divesting all glamour from crime, instead showing the dead ends that vex the crime fighters and the dark souls that plague the criminals. The evocative period soundtrack includes Johnny Thunders and The Velvet Underground. Nominated for two César Awards.

    Party Girl

    Marie Amachoukeli-Barsacq, Claire Burger & Samuel Theis, France, 2014, DCP, 96m
    French with English subtitles

    Angélique (Angélique Litzenburger) is a sixtyish eccentric hostess living in a small room above a bar in Lorraine. For decades she’s worked for drinks and tips but she clearly loves this flamboyant unconventional way of life. One night, smitten customer Michel (Joseph Bour) proposes marriage. This could be a way out of her unsustainable lifestyle—but is she suited to domesticity? Moreover, is she prepared to reunite with her four children, all from past relationships, including a 16-year-old daughter who grew up in foster care? Inspired by the sudden wedding of actress Litzenburger, mother to co-director Theis, the gritty slice-of-life Party Girl took home two awards at Cannes (including the Camera d’Or), where it was a standout in Un Certain Regard. Nominated for two César Awards including Best Debut Feature. A Distrib Films release. U.S. Premiere

    Portrait of the Artist / Le dos rouge

    Antoine Barraud, France, 2014, DCP, 127m
    French with English subtitles

    Renowned director Bertrand Bonello (House of Pleasures and Saint Laurent, as well as the subject of a retrospective at the Film Society this May) stars as “Bertrand,” a filmmaker approaching his next project with a peculiar obsession—monstrosity. Convinced it should be the central theme of his film, he fixates on the notion of monstrous imagery, visiting museums and even hiring a mysterious art historian (played simultaneously by Jeanne Balibar and Géraldine Pailhas) to help him find the painting that best embodies the idea (considering works by Francis Bacon, Caravaggio, and others). But to his shock, the mania consuming his mind begins to manifest itself in his body as a monstrous red stain takes shape on his back. A disquieting yet fascinating (and funny!) mixture of body horror and character study, co-starring Barbet Schroeder as a physician and Joana Preiss as Bertrand’s wife Barbe. North American Premiere

    SK1 / L’Affaire SK1

    Frédéric Tellier, France, 2014, DCP, 120m
    French with English subtitles

    The multi-year hunt, arrest, and trial of serial killer Guy Georges is the subject of director Frédéric Tellier’s suspenseful feature debut, based on Patricia Tourancheau’s harrowing work of nonfiction, Guy Georges: La Traque. Sentenced to life imprisonment in 2001 for the murder of seven women, Georges (Adama Niane) was described by psychiatrists as “a narcissistic psychopath” and nicknamed The Beast of the Bastille. With great sophistication, Tellier renders the police’s dogged (though often clumsy) pursuit of Georges in all of its shocking twists and menacing turns. Featuring frequent Dardennes collaborator Olivier Gourmet, Christa Théret (star of Rendez-Vous 2013’s Renoir), Raphaël Personnaz (star of Rendez-Vous 2014’s The French Minister), and four-time César winner Nathalie Baye. U.S. Premiere

    Stubborn / Une histoire américaine

    Armel Hostiou, France, 2015, DCP, 85m
    French and English with English subtitles

    Experimental filmmaker and video artist Armel Hostiou expands his 2013 short Kingston Avenue into his second feature film (after 2011’s Day), a story about the steps we’ll take and the lies we tell ourselves in the name of love. Artist Barbara (Kate Moran) tires of her (very) brief relationship with Vincent (Vincent Macaigne) and leaves him behind in Paris. But the resolute Vincent follows her to America, determined to win back her affections. Shot in New York in wintertime and featuring daytime soap veteran and star of HBO’s Looking Murray Bartlett as Barbara’s new love interest, Stubborn, like its hero, is unabashedly romantic, utterly captivating, and often uncomfortably hilarious. North American Premiere

    Wild Life / Vie sauvage

    Cédric Kahn, Belgium/France, 2014, DCP, 102m
    French with English subtitles

    Carole and Philippe (Céline Sallette and Mathieu Kassovitz), tired of propriety and consumerism, opt to renounce civilization and live off the land. Calling themselves Nora and Paco, they lead a nomadic life in their caravan, gradually adding children to the mix. But when Nora tires of their itinerant lifestyle and gains custody of their sons, Philippe refuses to allow his progeny to be raised according to the societal codes he abhors. What follows is the riveting true story (based on the case of Xavier Fortin) of a father’s reckless but all-consuming love, directed by Cédric Kahn, whose underrated thriller Red Lights also portrayed a husband driven to extremes. Kassovitz gives the performance of his career while Sallette is extraordinary as the desperate mother fighting to reunite with her sons. The film received a special jury prize at the San Sebastian International Film Festival. North American Premiere

    Young Tiger / Bébé tigre

    Cyprien Vial, France, 2014, DCP, 87m
    French with English subtitles

    Young Tiger marks the inaugural feature of Cyprien Vial, having written and directed four short subjects (including Cannes prizewinner In Range). Here he relates the experiences of eager and touching Punjabi teenager Many (Harmandeep Palminder), in France to pursue his education, torn between his desire to establish a life in his new country and the pressure to send money back home. Skipping school and forced to take illegal and dangerous jobs that pay him under the table, he finds himself on a slippery slope into criminal activity, while deceiving his girlfriend, Elisabeth (Elisabeth Lando), and his foster family. Basing his film on first- and secondhand experiences, Vial tells a story both particular to the Indian diaspora and universal to the plight of immigrants being pulled in all directions.

    Shorts Program

    Brevity is the soul of wit, and our four acclaimed shorts, all directed by talented and up-and-coming female directors, have wit and soul in abundance. Whether testing grounds for tomorrow’s feature filmmakers or stylistic departures for today’s top directors, our richly textured shorts prove that depth is in no way tied to duration.

    The Smallest Apartment in Paris / Le Plus petit appartement de Paris

    Hélèna Villovitch, France, 2014, DCP, 15m
    French with English subtitles

    Carla and François are forced to share a 16 square meter studio in this whimsical sketch addressing the housing crisis that all urban dwellers are sure to identify with. North American Premiere

    Back Alley / Le Contre-allée

    Cécile Ducrocq, France, 2014, DCP, 29m
    French with English subtitles

    A streetwalker since the age of 15, Suzanne finds her livelihood threatened by the arrival of African prostitutes on her turf in this heartbreaking winner of the Small Golden Rail prize at Cannes.

    The Space / Espace

    Eléonor Gilbert, France, 2014, DCP, 14m
    French with English subtitles

    A young girl wants to play soccer at recess but schoolyard sexism prevents it. So, with pencil and paper, she charts her grievances, urging her peers to take back the playground. U.S. Premiere


    Alice Douard, France, 2013, DCP, 35m
    French with English subtitles

    When student Raphaëlle, subject to cardiac contractions, meets enigmatic teacher Adèle, it’s not just her condition that makes her heart skip a beat.


    Sponsored by HBO®

    The 21st-Century Cinephile
    In a world where images circulate ever faster and instant access is the norm, what place is there for the love of cinema? With the growth of the Internet and the preponderance of smartphones, new viewing habits have appeared. More and more, people do their watching on smaller and smaller screens, and the content itself has seen radical changes: from six-second Vines to 10-hour YouTube videos and Netflix binge-watching. Have these new practices led to a different rapport with the moving image? Can we see in this the birth of a new kind of cinephilia, fueled by new media and how younger viewers relate with the images they consume? Join a group of French and American journalists to discuss the role of cinephilia today and how France and the United States have approached fostering the love of movies in future generations.

    Participants: Melissa Anderson (journalist), Thierry Lounas (SOFILM magazine), Florence Ben Sadoun (ELLE magazine), and Serge Toubiana (Cinémathèque Française)
    Moderators: Isabelle Giordano, Executive Director of UniFrance films, and Dennis Lim, Director of Programming for the Film Society of Lincoln Center

    Actress on Actress: Nathalie Baye & Mélanie Laurent
    SK1 star Nathalie Baye, who started her career with François Truffaut, Maurice Pialat, and Jean-Luc Godard, will sit down with Breathe director Mélanie Laurent, well known for her roles in Inglourious Basterds, Beginners, and Enemy and discuss their career, working with U.S. directors, and much more. SK1 and Breathe are official selections in the 20th Anniversary Rendez-Vous with French Cinema lineup, for more information, visit

    Photo courtesy Cohen Media Group

    Guillaume Canet
    In the Name of My Daughter, Next Time I’ll Aim for the Heart 
    French actor/screenwriter/director Guillaume Canet will sit down with Variety critic Scott Foundas to discuss his latest films, In the Name of my Daughter by master filmmaker André Téchiné and crime thriller Next Time I’ll Aim for the Heart by former Cahiers du Cinéma critic Cédric Anger. Both yet again showcase Canet’s impressive acting skills and the layers of complexity he brings to his roles. A major figure in French cinema today, Canet will cover his career, his vision as a director, and his love of American cinema.

    Free tickets to the talks will be distributed at the Elinor Bunin Munroe Film Center box office (144 West 65th Street, between Broadway and Amsterdam) on a first-come, first-served basis starting one hour prior to the conversations. Limit one complimentary ticket per person, subject to availability. For those unable to attend in person, video from the event will be available online at

    Special Closing Night Live Musical Performance
    A special live musical performance will take place on Closing Night of Rendez-Vous with French Cinema, Sunday, March 15 in the Furman Gallery, comprised of a trio of musicians from LoW Entertainment, responsible for the scores of Hippocrates and Party Girl. The performance will be held as part of a celebration of composing in the films of the French New Wave, with all its eclecticism and dynamism and represented in the Closing Night selection of Reality from director Quentin Dupieux (also known as Mr Oizo in the music world) to Para One (Girlhood) to Hit & Run (responsible for the Love at First Fight score) to Flairs (The French Kissers) and Syd Matters (Heartbeat Detector). Ticket holders for the Closing Night film, Reality, can attend the event. For more information, visit 

    The Cultural Services of the French Embassy in New York to house pop-up Galerie Cinema
    created by Parisian producer Anne-Dominique Toussaint
    from March 10 – April 10
    The Cultural Services of the French Embassy in New York will host a group photo exhibition featuring works by film directors, cinematographers, photographers, and actors such as Raymond Depardon, Agnès Godard, and Ed Lachman from March 10 to April 10, transporting the Parisian concept of the Galerie Cinema—an art gallery devoted to cinema—to a new American audience. 

    The French Embassy’s Stanford White designed mansion will showcase the work of directors Cédric Klapisch, Atiq Rahimi, cinematographers Ed Lachman and Agnès Godard, actors James Franco and Vincent Perez, photographers Kate Barry and Harry Gruyaert, and director-photographer Raymond Depardon.  An opening reception will take place on March 9. Parisian producer Anne-Dominique Toussaint opened the first Galerie Cinema in Paris’ Marais district in September 2013. The inaugural New York Galerie Cinema exhibition reinforces the French Embassy’s mission to promote French-American intellectual and creative exchange. The temporary New York exhibition organized with the Cultural Services of the French Embassy is made possible by Le Fonds Culturel Franco-Américain (DGA/MPA/SACEM/WGAW), Natixis, and the optics manufacturer Angénieux.  Support is provided by the Aperture Foundation and Piper-Heidsieck. 

    French Institute Alliance Française  (FIAF) will present
    Benoît Jacquot: Leading Ladies
    The French Institute Alliance Française (FIAF) will present the retrospective Benoît Jacquot: Leading Ladies in conjunction with the 20th Anniversary of Rendez-Vous with French Cinema. Jacquot’s latest film, 3 Hearts, will open the festival on March 6 at Alice Tully Hall, followed by a nationwide release.

    Director Benoît Jacquot’s signature is undeniably his talent for directing actresses. From Léa Seydoux as Marie Antoinette’s maid, to Viginie Ledoyen as a pregnant 19-year-old, Jacquot creates vivid portraits of singular women on the brink of change.


    The 2015 edition of Rendez-Vous will also focus on extending special offers and collaborations with local high schools and colleges. On Monday, March 9 at 11:30am director Cédric Kahn will present to students his latest film, Wild Life, which will have its North American Premiere at this year’s festival and also received a special jury prize at the San Sebastian International Film Festival. Kahn has created a riveting true story (based on the case of Xavier Fortin) of a father’s reckless but all-consuming love, and stars Mathieu Kassovitz, who gives the performance of his career, while Céline Sallette is extraordinary as the desperate mother fighting to reunite with her sons. For more information on the screening, contact Adeline Monzier, The New School has also collaborated with the Film Society and UniFrance to include director Cédric Anger’s film Next Time I’ll Aim for the Heart in their class syllabus and will attend a screening of the film at the festival, study the filmmaking, and then write about it for their current college course.   

    20x24 Exhibit

    To celebrate the 20th Anniversary of the festival, the Film Society and the 20x24 Project have partnered to host an exhibit in the Furman Gallery, which will consist of influential French filmmakers and talent captured over the course of the last four years at the Film Society. The exhibit will include such notables as Olivier Assayas, agnès b., Isaach De Bankolé, Juliette Binoche, Bertrand Bonello, Catherine Breillat, Claire Denis, Jean Dujardin, Isabelle Huppert, François Ozon, Abderrahmane Sissako, and many more. Photographer Myrna Suarez has been the primary portraitist with occasional guest appearances by Chuck Close and Elsa Dorfman.  







    2008 - 2013





    (Note: Her brother, Stephane, directs 40-LOVE in RENDEZ-VOUS 2015)




    Unifrance FILMS

    Founded in 1949, UniFrance films is a government-sponsored association of French film industry professionals dedicated to the international promotion of French films. With offices in Paris, New York, Tokyo, Mumbai, and Beijing, UniFrance films provides financial and logistical support to theatrical distributors and major film festivals showcasing new and recent French cinema throughout the world and a French film festival online. For more information, visit


    Founded in 1969 to celebrate American and international cinema, the Film Society of Lincoln Center works to recognize established and emerging filmmakers, support important new work, and to enhance the awareness, accessibility, and understanding of the moving image. The Film Society produces the renowned New York Film Festival, a curated selection of the year’s most significant new film work, and presents or collaborates on other annual New York City festivals including Dance on Camera, Film Comment Selects, Human Rights Watch Film Festival, New Directors/New Films, NewFest, New York African Film Festival, New York Asian Film Festival, New York Jewish Film Festival, Open Roads: New Italian Cinema and Rendez-Vous with French Cinema. In addition to publishing the award-winning Film Comment magazine, the Film Society recognizes an artist's unique achievement in film with the prestigious Chaplin Award, whose 2015 recipient is Robert Redford. The Film Society’s state-of-the-art Walter Reade Theater and the Elinor Bunin Munroe Film Center, located at Lincoln Center, provide a home for year-round programs and the New York City film community.

    SPONSORS: Special thanks to the following 20th Anniversary Rendez-Vous with French Cinema sponsors for their support: (Without sponsors, we'd never get to see these films!) Renault-Nissan, Lacoste, Piper Heidsiek, L'Oreal, TV5 Monde, La Sacem and to our partners the Cultural Services of the French Embassy NY and the French Institute Alliance Française (FIAF).

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