QPORIT

Thurnauer Chamber Music Series THE THURNAUER SCHOOL OF MUSIC 411 East Clinton Ave, Tenafly NJ 07670 A Musical Celebration of Black History Month Sat, Jan 26, 2019 7:00 PM .

The Thurnauer Chamber Music Series featuring artistic director, violinist Sharon Roffman opens its 26th season with a program "A Musical Celebration of Black History Month". The program features music by Florence Price, Joseph Boulogne Chevalier de St. Georges, Coleridge-Taylor Perkinson, Regina Harris Baiocchi, Dorothy Rudd Moore, Harry Burleigh, J. Rosamund Johnson, William Grant Still, George Walker, and Margaret Bonds and lyrics by Zora Neale Hurston, Langston Hughes, and James Weldon Johnson.   The performance features guest artists Jasmine Wilson, mezzo-soprano; Doori Na, violin; Melissa Reardson, viola;Raman Ramakrishnan, cello; Thomas Sauer, piano.  ABOUT THE ARTISTS Violinist Sharon Roffman, prizewinner in the 2003 Naumburg Foundation International Competition, made her solo debut with the New Jersey Symphony in 1996. Since then, Ms. Roffman has forged a unique career distinguished by her versatility; she is equally sought after as a soloist, chamber musician, orchestral leader and music educator. In February 2018, Ms. Roffman was appointed concertmaster of the Royal Scottish National Orchestra. Ms. Roffman made her Carnegie Hall debut as a soloist in Vivaldi’s Concerto for Four Violins with Itzhak Perlman playing and conducting in 2004; she has performed all over the world as a guest concertmaster of the London Symphony Orchestra, Scottish Chamber Orchestra, Swedish Radio Symphony, the BBC Philharmonic, Orchestre Philharmonique de Radio France, City of Birmingham Symphony Orchestra, Orchestre d’Auvergne, Orchestre Symphonique de Bretagne, and Orpheus Chamber Orchestra, principal 2nd of Die Deutsche Kammerphilharmonie Bremen and the Estonian Festival Orchestra, and as a frequent guest member of the Australian Chamber Orchestra and Mahler Chamber Orchestra. Ms. Roffman was “Violon Solo” of Orchestre National du Capitole de Toulouse from 2016-17 and a member of Orchestre National de France from 2009-2011. As a chamber musician, Ms. Roffman has collaborated with members of the Guarneri quartet, Juilliard Quartet, Brentano Quartet, Shanghai Quartet, Avalon Quartet, and Miami Quartet among others, was a member of the critically acclaimed contemporary music ensemble counter)induction, and spent several summers performing at the Marlboro Music Festival. Passionate about combining performance and education, Ms. Roffman is the founder and artistic director of ClassNotes, a chamber music ensemble and non-profit organization dedicated to introducing public school students to classical music through interdisciplinary school residencies and performances. In 2015, Ms. Roffman premiered a new concerto by Bruce Adolphe (I Will Not Remain Silent) with the IRIS Orchestra and Michael Stern conducting, and created The Prinz Project – an online interdisciplinary curriculum and outreach initiative to accompany the concerto. In 2018, Ms. Roffman performed Bernstein’s Serenade with the Kansas City Symphony and created an accompanying website for audiences to explore the work in more detail. Ms. Roffman also created an online elementary school curriculum about the relationship between music and art for the Australian Chamber Orchestra and regularly teaches in elementary schools across Australia both live and via video conferencing. Ms. Roffman is a graduate of the Juilliard School and the Cleveland Institute of Music; her former teachers include Itzhak Perlman, Donald Weilerstein, Peter Winograd, Robert Lipsett, Patinka Kopec and Nicole DiCecco. Cellist Raman Ramakrishnan is a member of the Horszowski Trio with violinist Jesse Mills and pianist Rieko Aizawa. The trio has performed across the United States, India, Japan, and in Hong Kong, and records for Bridge Records.  For eleven seasons, as a founding member of the Daedalus Quartet, he performed around the world.  Mr. Ramakrishnan is an artist member of the Boston Chamber Music Society, and is on the faculty of the Bard College Conservatory of Music.  Grammy nominated violist Melissa Reardon is an internationally renowned performer whose solo and chamber playing spans all musical genres. As a member of the Ensō String Quartet since 2006, Melissa has toured both nationally and internationally.  (This is the final season for the quartet, with its last performances scheduled for the summer of 2018.) Melissa is also a founding member of the East Coast Chamber Orchestra (ECCO), and is a sought-after collaborative musician.  . Jasmine Wilson is an American vocalist, poet, and educator based in New York.  She trained in classical vocal performance at McGill University in Montreal, Canada, where she also hosted and produced several Canadian radio programs. She has also taught music and English as a Second Language in France and Canada. Jasmine enjoys combining her international experience in music and media production into thoughtful educational exchanges in the arts.  In New York, Jasmine regularly performs classical works by underrepresented female composers and composers of color as a vocalist with The Dream Unfinished (TDU), an activist orchestra. Through TDU, she has collaborated with Lincoln Center, Carnegie Hall, and the DiMenna Center. Internationally, Jasmine has appeared with Canadian funk/R&B bands What It Is, the Morphtet, Freak Motif, and Kalmunity.  While in Montreal, Jasmine hosted SOUL PERSPECTIVES on CKUT 90.3 FM, as well as produced multiple radio programs for CJAD 800 Radio and the Kelly Alexander Show. She currently is a Community Engagement Specialist at New York's PBS Station, WNET. A graduate of the Juilliard School of Music, violinist Doori Na has performed with the Orpheus Chamber Orchestra, American Symphony Orchestra, American Ballet Theatre Orchestra, Riverside Symphony, New Music Project of Argento Chamber Ensemble, New Chamber Ballet, and Chamber Music Society of Palm Beach. Pianist Thomas Sauer is highly sought after as soloist and chamber musician in a wide range of repertoire. With his long-time duo partner Colin Carr, Mr. Sauer has appeared at the Wigmore Hall (London), the Amsterdam Concertgebouw, Bargemusic (New York City), the Isabella Stewart Gardner Museum (Boston), and Princeton University, among many other venues. He has performed with members of the Juilliard String Quartet at the Library of Congress and given numerous concerts with the Brentano String Quartet. Mr. Sauer has performed at many of the leading festivals in the United States and abroad, including Marlboro, Caramoor, Music@Menlo, Chamber MusicNorthwest, and Taos, as well as Lake District Summer Music (England), Agassiz (Canada), Festival des Consonances (France), and Esbjerg Chamber Music Festival (Denmark). Mr. Sauer serves on the faculties of Mannes and Vassar Colleges, and was the founder and director of the Mannes Beethoven Institute, a highly regarded summer program that ran for fifteen seasons. 3 Questions with Sharon Roffman What inspired you to create a concert featuring Afro-American and Afro-European composers? There are a lot of great composers out there who, historically, have not always gotten the recognition that they deserve. With this concert and our spring concert of all female composers, I wanted to shine a light and share some fantastic music written by people who reflect the diversity of the communities we live in.  How did choose the repertoire for the program? Like always, I listened and listened and listened to lots of music and picked the pieces that I loved the most and would personally want to listen to. I had to make some really tough choices because there is so much interesting music out there! What can you tell us about the pieces or composers featured? Our singer Jasmine Wilson is singing two songs by two different composers based on texts by Langston Hughes, so it’s always interesting to see what choices composers make with their music to bring out the meaning of the texts. One of the pieces that I absolutely HAD to program was the Lyric for Strings by George Walker, who died only a few months ago, and was the first African American to win a Pulitzer prize for music. It is one of the most beautiful pieces you will ever hear. There is a piece by Harry Burleigh who worked closely with the Czech composer Antonin Dvorak when he lived in New York, and inspired Dvorak to use more African-American themes in his music. The piece we are playing for string quartet is based on songs he heard being sung in the plantations, in the era of slavery. And finally we will end the concert with a classic arrangement of Lift Every Voice and Sing by William Grant Still. When I ordered the music, I called the phone number of the publishing company and was excited to realize that I was speaking with William Grant Still’s daughter! The Chamber Music Series is made possible by generous contributions from Eva Holzer and the Konikow Chamber Music Fund For tickets or more information about the Thurnauer School of Music please call 201-408-1465. http://jccotp-px.learning.school/music-instruction
Sat, Jan 26 7:00 PM - 8:30 PM	$16.00 Member $20.00 Public

Labels: Black History Month, music, Sharon Roffman, Thurnauer Chamber Music Series, Thurnauer Music School

Labels: A Star Is Born, Academy Awards, Alfonso Cuaron, Black Panther, BlacKkKlansman, Bohemian Rhapsody, Bradley Cooper, Green Book, Lady Gaga, Oscars, Roma, The Favourite, Vice, Yorgos Lanthimos

GATZ is an amazing adaptation of an old American Classic book. The tremendous Scott Shepherd is reprising GATZ, the "Elevator Repair Service" performance of a word for word "reading" and on-stage becoming of THE GREAT GATSBY.

>>"One morning in the shabby office of a mysterious small business, an employee (Scott Shepherd) finds a copy of The Great Gatsby in the clutter on his desk. He starts to read it out loud and doesn't stop. At first his coworkers hardly notice. But after a series of strange coincidences, it's no longer clear whether he's reading the book, or the book is transforming him into its narrator. "

It's about six hours long, (plus about 90 min to go out for dinner at an intermission), at the NYU Skirball Center (nyuskirball.org) . The almost 8 hour immersion in this interpretation and this story and this performance is a powerful, unforgettable and uniquely affecting audience experience.

If you've ever wondered what THE GREAT GATSBY is really about, check out this theater treasure.


THE GREAT GATSBY - WIKIPEDIA
https://en.wikipedia.org/wiki/The_Great_Gatsby


SCOTT SHEPHERD - IMDB
https://www.imdb.com/name/nm0791864/


NYU SKIRBALL CENTER
nyuskirball.org


ELEVATOR REPAIR SERVICE - WIKIPEDIA
https://en.wikipedia.org/wiki/Elevator_Repair_Service


ELEVATOR REPAIR SERVICE - HOME PAGE
https://www.elevator.org/


GATZ TICKETS
https://nyuskirball.org/events/elevator-repair-service-gatz/

Labels: adaptation, classic novel, Elevator Repair Service, GATZ, Scott Shepherd, Skirball Center, THE GREAT GATSBY, theater

Peter Masterson was one of the nicest people I ever interviewed. I am sorry he is gone.  He was intelligent, friendly, encouraging, and skilled as an actor, director and writer.  

He was married to the actress Carlin Glynn. The cinematographer Peter Masterson is his son, and the actress Mary Stuart Masterson is his daughter.  I interviewed Mary Stuart when her fine film, The Cake Eaters, was shown at the Stony Brook Film Festival. I was glad, at the time, to be able to tell her how much I liked her father.

Peter Masterson was best known for his Tony nominated adaptation and direction of The Best Little Whorehouse in Texas. (He won the Drama Desk Award for Best Director. Carlin Glynn won both the Tony and Theater World Awards for Featured Actress.) He also directed the film Trip To Bountiful, which won an Oscar for Geraldine Page, which was adapted by his cousin, Horton Foote, who had written the original stage play. Peter played Katharine Ross' husband in the original adaptation of Stepford Wives. Mary Stuart, then just 10, made her film debut as his daughter in that film.



PETER MASTERSON - WIKIPEDIA
https://en.wikipedia.org/wiki/Peter_Masterson


PETER MASTERSON - IMDB
https://www.imdb.com/name/nm0557751/


QPORIT: MARY STUART MASTERSON AND THE CAKE EATERS
http://qporit.blogspot.com/2008/07/mary-stuart-masterson-and-cake-eaters.html

Labels: broadway, Carlin Glynn, Drama Desk Award, Mary Stuart Masterson, Oscar, Peter Masterson, The Best Little Whorehouse in Texas, The Cake Eaters, Tony Award, Trip to Bountiful

Film Comment has just announced its selections for best films of the year! 

Surprisingly, perhaps, ROMA, which has received a lot of attention and praise from many sources (and will be available on NETFLIX shortly), was only number 4 on their list.

As a magazine for international(!)  film lovers, it is not surprising that many of the films on the Film Comment list are indie and foreign films.

Interestingly, looking forward to the future, there is a second list: the best films that have appeared in film festivals this year, but that have not yet been released.

The following comes from Film Comment's FSLC Press release today:

Film Comment’s Top 20 Films Released in 2018:

1. Zama Lucrecia Martel, Argentina/Brazil/Spain
2. Burning Lee Chang-dong, South Korea
3. First Reformed Paul Schrader, USA
4. ROMA Alfonso Cuarón, Mexico
5. Western Valeska Grisebach, Germany/Bulgaria
6. Shoplifters Hirokazu Kore-eda, Japan
7. Let the Sunshine In Claire Denis, France
8. The Other Side of the Wind Orson Welles, USA
9. Happy as Lazzaro Alice Rohrwacher, Italy
10. Hale County This Morning, This Evening RaMell Ross, USA
11. Sorry to Bother You Boots Riley, USA
12. If Beale Street Could Talk Barry Jenkins, USA
13. The Rider Chloé Zhao, USA
14. The Ballad of Buster Scruggs Joel & Ethan Coen, USA
15. Support the Girls Andrew Bujalski, USA
16. You Were Never Really Here Lynne Ramsay, UK/France/USA
17. Monrovia, Indiana Frederick Wiseman, USA
18. Personal Problems Bill Gunn, USA
19. The Favourite Yorgos Lanthimos, Ireland/UK/USA
20. BlacKkKlansman Spike Lee, USA


Film Comment’s Top 20 Unreleased Films of 2018:

1. What You Gonna Do When the World’s on Fire? Roberto Minervini, Italy/USA/France
2. La Flor Mariano Llinás, Argentina
3. Black Mother Khalik Allah, USA
4. A Family Tour Ying Liang, Taiwan/Hong Kong/Singapore/Malaysia
5. Feast of the Epiphany Michael Koresky, Jeff Reichert & Farihah Zaman, USA
6. América Claus Drexel, France
7. Donbass Sergei Loznitsa, Germany/Ukraine/France/Netherlands/Romania
8. The Grand Bizarre Jodie Mack, USA
9. Your Face Tsai Ming-liang, Taiwan
10. Casanova Gene Luise Donschen, Germany
11. Shakedown Leilah Weinraub, USA
12. The Task Leigh Ledare, USA
13. Sophia Antipolis Virgil Vernier, France
14. Second Time Around Dora García, Belgium/Norway
15. Manta Ray Phuttiphong Aroonpheng, Thailand/France/China
16. Flight of a Bullet Beata Bubenets, Russia/Latvia
17. Our Time Carlos Reygadas, Mexico/France/Germany/Denmark/Sweden
18. Reason Anand Patwardhan, India
19. Season of the Devil Lav Diaz, Philippines
20. A Wild Stream Nuria Ibáñez Castañeda, Mexico


The nearly 100 poll participants are all Film Comment contributors from the past year and include: 

• Ina Diane Archer (The Smithsonian), 
• Ela Bittencourt (Brazil-based programmer), 
• Andrew Chan (The Criterion Collection), 
• Justin Chang (Los Angeles Times), 
• K. Austin Collins (Vanity Fair), 
• Nick Davis (FC contributing editor, Northwestern University), 
• Nicholas Elliott (Cahiers du Cinéma, BOMB), 
• Molly Haskell, 
• J. Hoberman (The New York Times), 
• Eric Hynes (FC columnist and Museum of the Moving Image curator), 
• Kristin M. Jones (The Wall Street Journal), 
• Nellie Killian (programmer and FC contributing editor), 
• Violet Lucca (Harper’s), 
• Aliza Ma (Metrograph), 
• Farran Smith Nehme (Self-Styled Siren), 
• Christina Newland, 
• Sheila O’Malley (RogerEbert.com), 
• Nick Pinkerton, 
• Jonathan Romney (FCcontributing editor), 
• Girish Shambu, 
• Imogen Sara Smith (FC columnist), 
• Amy Taubin (FC and Artforumcontributing editor), 
• Ella Taylor (NPR), 
• Giulia D'Agnolo Vallan (curator and critic), and 
• Manu Yáñez Murillo (Otros Cines Europa).

FILM COMMENT

Film Comment magazine features in-depth reviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. In its bimonthly print edition, vibrant website, and popular podcast, Film Comment is at the center of film culture, and has been since 1962, when it was founded by Gordon Hitchens. Its subsequent editors include Richard Corliss, Harlan Jacobson, Richard Jameson, Gavin Smith, and, today, Nicolas Rapold. 





FILM SOCIETY OF LINCOLN CENTER (FSLC)

The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film with year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment.


For more information, visit filmlinc.org and follow @filmlinc on Twitter.

Labels: best films 2018, Film Comment, film society of lincoln center, Films, FSLC