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Thursday, September 08, 2016

 

Preview: JAMES GRAY’S "THE LOST CITY OF Z" - NYFF 2016 CLOSING NIGHT


 THE FILM SOCIETY OF LINCOLN CENTER
54th NEW YORK FILM FESTIVAL

CLOSING NIGHT - October 15, 2016
THE WORLD PREMIERE OF JAMES GRAY’S

THE LOST CITY OF Z

filmlinc.org/NYFF

Image: Lorey Sebastian
The Lost City of Z, written and directed by James Gray (The Immigrant, Two Lovers), will be the Closing Night selection of the 54th New York Film Festival. The film, based on journalist David Grann’s nonfiction book of the same name, will make its World Premiere at the festival’s final gala screening on Saturday, October 15. 

THE LOST CITY OF Z
OFFICIAL TRAILER

James Gray’s emotionally and visually resplendent epic tells the story of Lieutenant Colonel Percy Fawcett (a remarkable Charlie Hunnam), the British military-man-turned-explorer whose search for a lost city deep in the Amazon grows into an increasingly feverish, decades-long magnificent obsession that takes a toll on his reputation, his home life with his wife (Sienna Miller) and children, and his very existence. 

 Also starring Robert Pattinson and Tom Holland, The Lost City of Z represents a form of epic storytelling that has all but vanished from the landscape of modern cinema, and a rare level of artistry.

 Gray and cinematographer Darius Khondji cast quite a spell, exquisitely pitched between rapture and dizzying terror. 
Gray’s previous film, 2014’s The Immigrant, was an official selection of the 51st New York Film Festival.

The Lost City of Z is produced by Dede Gardner, Jeremy Kleiner, Anthony Katagas, and Dale Armin Johnson, and is executive produced by Brad Pitt and Marc Butan.

TICKETS

Tickets for the 54th New York Film Festival will go on sale September 11. Becoming a Film Society Member at the Film Buff Level or above provides early ticket access to festival screenings and events ahead of the general public, along with the exclusive member ticket discount. Learn more at
filmlinc.org/membership .
For even more access, VIP passes and subscription packages offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival's biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events, including the invitation-only Opening Night party, “An Evening With…” dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP passes and subscription packages are on sale now. Learn more at
filmlinc.org/NYFF .



LINKS

THE LOST CITY OF Z - WIKIPEDIA
https://en.wikipedia.org/wiki/The_Lost_City_of_Z_(film)

THE LOST CITY OF Z - IMDB
http://www.imdb.com/title/tt1212428/


NYFF 2016 PREVIEWS FROM QPORIT

 Preview: MAIN SLATE, 54TH NEW YORK FILM FESTIVAL - 2016 
http://qporit.blogspot.com/2016/08/preview-main-slate-54th-new-york-film.html

 Preview: AVA DuVERNAY’S "THE 13th" - NYFF 2016 OPENING NIGHT
http://qporit.blogspot.com/2016/07/preview-ava-duvernays-13th-nyff-2016_31.html

 Preview: MIKE MILLS' 20th CENTURY WOMEN - CENTERPIECE NYFF 2016
http://qporit.blogspot.com/2016/08/preview-mike-mills-20th-century-women.html

 Preview: JAMES GRAY’S "THE LOST CITY OF Z" - NYFF 2016 CLOSING NIGHT
http://qporit.blogspot.com/2016/09/preview-james-grays-lost-city-of-z-nyff.html

 Preview: CONVERGENCE - AT THE 54TH NEW YORK FILM FESTIVAL - 2016
http://qporit.blogspot.com/2016/08/preview-convergence-at-54th-new-york.html

 Preview: NYFF 2016 FILMMAKER TALKS
http://qporit.blogspot.com/2016/09/preview-nyff-2016-filmmaker-talks.html


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# posted by QPORIT @ 7:25 PM 0 comments
 

Preview: NYFF 2016 FILMMAKER TALKS


 THE FILM SOCIETY OF LINCOLN CENTER
54th NEW YORK FILM FESTIVAL 2016

FILMMAKER TALKS

filmlinc.org/NYFF


On Cinema Conversation
Jim Jarmusch

Free Directors Dialogues
Maren Ade, Kenneth Lonergan,
Mike Mills, Paul Verhoeven

“Meet the Makers” talks with Convergence innovators


The festival’s annual master class, On Cinema, will feature a conversation with legendary American independent filmmaker Jim Jarmusch and NYFF Director Kent Jones.

Jarmusch, a NYFF veteran many times over, has two films in the festival this year: Paterson, starring Adam Driver, in the Main Slate section, and documentary Gimme Danger, about iconic punk rock band The Stooges, in the Special Events section.

Supported by film clips, the in-depth discussion will explore Jarmusch’s indelible career, as well as works that have influenced him as an artist. On Cinema with Jim Jarmusch will take place Tuesday, October 4 at 8:30pm in the Howard Gilman Theater.


Mike Mills

Director: Centerpiece selection 20th Century Women
NYFF 2016
Courtesy NYFF


Directors Dialogues, presented free to the public each year, feature notable filmmakers from this year’s festival sitting down for a special Q&A with a NYFF selection committee member to discuss their craft and moviemaking approach, as well as the current state of film. This year’s participating directors include

·        Maren Ade (Toni Erdmann),
·        Kenneth Lonergan (Manchester by the Sea),
·        Paul Verhoeven (Elle), and
·        Mike Mills (Centerpiece selection 20th Century Women).

All four of these directors’ newest films are screening as part of the NYFF54 Main Slate. This year the Directors Dialogues will take place at both the Elinor Bunin Munroe Film Center’s Amphitheater and a new venue, the Bruno Walter Theater (located at the Lincoln Center Public Library for Performing Arts).


Additionally, NYFF will present Meet the Makers, a series of talks with creators of projects in the Convergence section. Highlights include

·      Priya’s Mirror innovators Ram Devineni and Dan Goldman on fusing augmented reality and comic books to shatter taboos around the world—with UN Women’s Global Youth Champion Monica Singh in person to share her story, which inspired the project;

·      A panel with filmmakers behind Global Lives Project’s large-scale installation Lives in Transit;

·      Late Shift creators Baptiste Planche and Tobias Weber on choose-your-own-adventure interactive narrative films;

·      Soundhunters app creators François Le Gall and Nicolas Blies on remixing the world of sounds around you into a transmedia experience; and

·      A conversation with the collaborators of the popular returning project Sherlock Holmes & The Internet of Things.


Meet the Makers conversations are free and open to the public.


Alongside On Cinema, Directors Dialogues, and Meet the Makers, the festival’s popular free NYFF Live series will return this year. NYFF Live talks, which are also sponsored by HBO®, will include a combination of clips, trailers, and extended conversations with festival filmmakers and special guests, with questions also taken from the audience. NYFF Live takes place daily in the Elinor Bunin Munroe Film Center Amphitheater.
 

 TICKETS

NYFF Directors Dialogues and Meet the Makers talks are free and open to the public.

On Cinema tickets are $15; $10 for Film Society Members and Students.

Tickets for the 54th New York Film Festival, including the On Cinema talk, will go on sale September 11. Tickets are now on sale to Film Society members and patrons at select levels. Learn more about NYFF tickets, including a complete list of on-sale dates, prices, discount options, and rush and standby policies, at

http://www.filmlinc.org/nyff2016/ticket-information/.

For even more access, VIP passes and subscription packages offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival's biggest events including Opening, Centerpiece, and Closing Nights. VIP passes also provide access to many exciting events, including the invitation-only Opening Night party, “An Evening With…” dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP passes and subscription packages are on sale now. Learn more at

filmlinc.org/NYFF


DETAILS


ON CINEMA

On Cinema: Jim Jarmusch (Paterson, Gimme Danger)
In this annual master class, NYFF director Kent Jones sits down with world-renowned filmmakers for an in-depth conversation about films from other directors that have influenced and inspired them, their talk illustrated with film clips. For the 2016 edition, Jones sits down with legendary American independent filmmaker Jim Jarmusch, who has two films featured in this year's festival.
Tuesday, Oct 4, 8:30pm (Howard Gilman Theater in the Elinor Bunin Munroe Film Center, 144 West 65th Street)


DIRECTORS DIALOGUES

Directors Dialogues: Maren Ade
One of the most vivid, electrifying talents in cinema today, German director Maren Ade makes breathtakingly intimate films keyed in to the subtle interactions and sometimes inexplicable grand gestures that make us human. A major highlight of this year’s NYFF, her latest film, Toni Erdmann, is an emotional and hilarious dazzler, unlike anything else you’ve seen.
Sunday, Oct 2, 7pm  (Elinor Bunin Munroe Film Center Amphitheater, 144 West 65th Street)

Directors Dialogues: Kenneth Lonergan
Refusing to shy away from nearly unutterable emotions, the forceful new film from Kenneth Lonergan, Manchester by the Sea, follows a troubled Massachusetts handyman (an unforgettable Casey Affleck) who travels to his North Shore hometown after the death of his brother and must confront memories of an earlier tragedy. As proven in You Can Count on Me and Margaret, few American filmmakers today are better at making movies that express how difficult it is to move on from the past.
Sunday, Oct 2, 3pm (Bruno Walter Auditorium, 111 Amsterdam Avenue between 64th and 65th Streets)

Directors Dialogues: Mike Mills
Following his Oscar-winning Beginners, Mike Mills has fashioned a moving, funny film, 20th Century Women, starring Annette Bening as a single mother raising a teenage son in a bohemian house in 1979 Santa Barbara. All of the details are just right in this culturally specific yet widely accessible American comedy, which is the Centerpiece film of this year’s NYFF.
Sunday, Oct 9, 3pm (Bruno Walter Auditorium)

Directors Dialogues: Paul Verhoeven
At first blush, it’s hard to believe the same director responsible for the ultraviolent action masterpiece RoboCop and the blockbuster thriller Basic Instinct is also responsible for Elle, the new film starring the great Isabelle Huppert as a video-game designer who has a surprising and complex response after she is raped by a home invader. But all his provocative films are of a piece: wry, satirical, and knowing takes on culture, movies, and personal fantasy.
Thursday, Oct 13, 7pm (Elinor Bunin Munroe Film Center Amphitheater)


CONVERGENCE: MEET THE MAKERS SESSIONS

MEET THE MAKERS: PRIYA’S MIRROR
Ram Devineni, Dan Goldman, Monica Singh
Ram Devineni and Dan Goldman, co-creators of the hugely popular augmented reality comic book series Priya, present the next installment, titled Priya’s Mirror, which concerns acid attacks. Joining Devineni and Goldman is Monica Singh, who shares her resilient story about surviving a brutal acid attack and later becoming UN Women’s Global Youth Champion.
Sunday, Oct 2, 1pm (Howard Gilman Theater in the Elinor Bunin Munroe Film Center, 144 West 65th Street)

MEET THE MAKERS: LIVES IN TRANSIT
Global Lives Project
Lives in Transit chronicles 24 hours in the lives of transportation workers from around the world. Join us for a screening of shorts about drivers of boats, buses, trains, motorcycles, cars and horse carts; a traveling circus performer; and a collector of a rare aphrodisiac fungus. A panel of the films’ directors will speak about their experiences collaborating to make this series possible.
Saturday, Oct 1, 5:30pm (Howard Gilman Theater)

MEET THE MAKERS: SOUNDHUNTERS
François Le Gall and Nicolas Blies
Join the creators of the Soundhunters App—a tool that allows people to record and tag sounds via their mobile devices, sample, and remix them into their own unique musical compositions—for an in-depth look at this multifaceted, international transmedia experience.
Saturday, Oct 1, 1pm (Howard Gilman Theater)

MEET THE MAKERS: LATE SHIFT
Baptiste Planche and Tobias Weber
Is the future of feature filmmaking fully interactive, choose-your-own-adventure style storytelling? The creators of Late Shift and CtrlMovie, the interactive film format powering the project, will explore the challenges inherent in creating audience-directed interactive films.
Sunday, Oct 2, 4:30pm (Howard Gilman Theater)

MEET THE MAKERS: SHERLOCK HOLMES & THE INTERNET OF THINGS
Lance Weiler and Nick Fortugno
Two years in development, Sherlock Holmes & The Internet of Things spans the globe with events in dozens of cities powered by over two thousand collaborators actively contributing to this “copyleft” experiment. Lead collaborators Weiler and Fortugno will comment on the state of the project and reflect on what their experiences tell us about the future of shared stories.
Sunday, Oct 2, 1pm (Howard Gilman Theater)


NYFF 2016 PREVIEWS FROM QPORIT

Preview: MAIN SLATE, 54TH NEW YORK FILM FESTIVAL - 2016 
http://qporit.blogspot.com/2016/08/preview-main-slate-54th-new-york-film.html

Preview: AVA DuVERNAY’S "THE 13th" - NYFF 2016 OPENING NIGHT
http://qporit.blogspot.com/2016/07/preview-ava-duvernays-13th-nyff-2016_31.html

Preview: MIKE MILLS' 20th CENTURY WOMEN - CENTERPIECE NYFF 2016
http://qporit.blogspot.com/2016/08/preview-mike-mills-20th-century-women.html

Preview: JAMES GRAY’S "THE LOST CITY OF Z" - NYFF 2016 CLOSING NIGHT
http://qporit.blogspot.com/2016/09/preview-james-grays-lost-city-of-z-nyff.html

Preview: CONVERGENCE - AT THE 54TH NEW YORK FILM FESTIVAL - 2016
http://qporit.blogspot.com/2016/08/preview-convergence-at-54th-new-york.html

Preview: NYFF 2016 FILMMAKER TALKS
http://qporit.blogspot.com/2016/09/preview-nyff-2016-filmmaker-talks.html

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# posted by QPORIT @ 5:15 PM 0 comments

Monday, August 15, 2016

 

Preview: CONVERGENCE - AT THE 54TH NEW YORK FILM FESTIVAL - 2016


THE FILM SOCIETY OF LINCOLN CENTER
54th NEW YORK FILM FESTIVAL

CONVERGENCE

October 1-4, 2016

Nine new works include: two World Premieres, audience-directed narrative films, large-scale installations, virtual and augmented reality projects, and more immersive storytelling innovations

Talks featuring ILMxLAB’s Hilmar Koch & Nick Rasmussen, StoryCode’s Mike Knowlton,
Producer Lindsay Doran on the psychology of storytelling

& a sneak peek of Traveling While Black

www.filmlinc.org/NYFF


The Convergence section of the 54th New York Film Festival will take place October 1–4, 2016  (with one project running through the 16th).
(Note that the NY Film Festival, as it often does, has insensitively scheduled events, including some of these, on Rosh Hashanah, an important Jewish Holiday which begins on the evening of Oct 2 and continues with services and celebrations through October 3 and for many celebrants through the 4th as well.)
The fifth edition of the annual program delves into the world of immersive storytelling via nine interactive experiences, featuring virtual reality, augmented reality, installations, and more—including two World Premieres and one U.S. Premiere.
"The art of immersive storytelling is continually evolving," said NYFF Convergence programmer Matt Bolish. "Our mission has been consistent from our first year to this, our fifth: bringing the best survey of interactive work to the NYFF audience. The core of the program remains an exciting slate of participatory pieces augmented by talks on a wide range of topics related to immersive and interactive art."
Over the course of the weekend, audiences can explore a multitude of non-traditional film experiences, including immersive storytelling experiences Sound Hunters, where users record the sounds of their world via an app, mixing and remixing their own electronic music compositions; thrilling audience-directed heist film Late Shift in its U.S. premiere; and, back by popular demand for a second year, the hyper-collaborative Sherlock Holmes & The Internet of Things, in which participants assume the role of the famed detective to solve mysterious crimes across Lincoln Center.

Virtual reality highlights are the World Premiere of acclaimed Indian work Priya’s Mirror, which fuses comic books and augmented reality to shatter taboos around the subject of violence against women; Giant, which transports the viewer into a family’s bomb shelter in an active war zone; Ricerca VR, which incorporates 2D and stop-motion artistry to create a visually stunning world; and Cardboard City, where participants become artists by adding buildings, memories, and stories to an ever-evolving cityscape. Also featured are two interactive video installations: EKO, a trio of interactive shorts that masterfully balance technical achievement and quality storytelling, and the World Premiere of large-scale Lives in Transit, which chronicles 24 hours in the lives of 10 transportation workers across the globe, and which will run from October 1-16.
Complementing these nine experiential works are various talks and panels. Presentations include
·        ILMxLAB visionaries Hilmar Koch and Nick Rasmussen on collaborative innovations in immersive entertainment;
·        Positive Psychology expert Lindsay Doran on the psychology of storytelling;
·        The State of the (Interactive) Art, a panel for StoryCode’s fifth anniversary, with cofounder Mike Knowlton and special guests;
·        And a special preview event for the much-anticipated project Traveling While Black, highlighted by a sneak peek at its first VR piece and a panel discussion with Academy Award-winning director Roger Ross Williams.
The complete schedule will be announced at a later date.
NYFF filmmaker conversations and panels, including a series of “Meet the Makers” conversations with featured Convergence storytellers, will be announced in the coming weeks.

TICKETS
Convergence experiences and installations are free and open to the public. Special Talks are $15; $10 for Film Society Members and Students. See more and save with a 3+ ticket discount package. Learn more at filmlinc.org/NYFF.
Tickets for the 54th New York Film Festival will go on sale September 11. Becoming a Film Society Member at the Film Buff Level or above provides early ticket access to festival screenings and events ahead of the general public, along with the exclusive member ticket discount. Learn more at filmlinc.org/membership.
For even more access, VIP passes and subscription packages offer the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events including Opening and Closing Nights, and Centerpiece. VIP passes also provide access to many exciting events, including the invitation-only Opening Night party, “An Evening With…” dinners, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP passes and subscription packages are on sale now. Learn more at filmlinc.org/NYFF.

NYFF54 CONVERGENCE EVENTS AND DESCRIPTIONS

Experiences and Installations

"Red Coaster CU VR"
CARDBOARD CITY
Courtesy New York Film Festival

 Cardboard City
Kiira Benzing, Stina Hamlin
Virtual Reality & Augmented Reality, 2016, USA, 3m
Cities are in a constant state of flux, waxing and waning along with their populations. Many consider these cycles of growth and decline part of the appeal of urban living, but change has consequences for those not able to keep up. Such is the case with the subjects of Cardboard City, a community of artists forced out of their Gowanus studios due to skyrocketing rents and runaway development. Blending virtual reality, augmented reality, and user-generated content, the piece is a hands-on interactive installation that uses these artists’ stories as a jumping-off point, before inviting viewers to become creators and add buildings, memories, and stories to an ever evolving cityscape.
Elinor Bunin Munroe Film Center, October 1 & 2
EKO
Interlude, Sandeep Parikh, Casey Donahue, Daniel Scheinert, Billy Chew
Interactive Video Installation, 2016, USA
Interactive video projects often weigh mechanics against storytelling, creating an unbalanced final product: it’s a technical achievement or a quality story, but rarely both. EKO, a new video platform that responds to the viewer’s input, may finally have balanced the scales. Audiences are invited to experience a trio of interactive shorts built on this new platform: The Gleam, an interactive documentary about a small town paper; That Moment When, a comedy that asks the viewer to navigate a battery of awkward conversations; and Now/Then, a Rashomon-inspired story focused on the various perspectives swirling around a relationship on the rocks.
Elinor Bunin Munroe Film Center, October 1 & 2
Giant
Milica Zec, Winslow Turner Porter III
Virtual Reality, 2016, USA, 10m
Virtual reality has been so central to recent discussions of interactive storytelling that it’s easy to forget that the form is still relatively new. With the ability to drop the viewer into an immersive environment, it’s no wonder that early conversations about VR stories focus on the empathy between audiences and subjects. This is used to startling effect in Giant. Transported to a basement shelter in an active war zone, we watch—and listen—as parents try to distract their daughter from the thunder of bombs. This is more than a film rendered in 360 degrees; it’s a testament to the power of this nascent form of storytelling.
Elinor Bunin Munroe Film Center, October 1 & 2
Late Shift
Baptiste Planche, Tobias Weber
Audience-Directed Narrative Feature, 2016, Switzerland, 80m
Are games and films on a collision course? It’s a question asked every time emergent technologies broaden what’s possible with a little code, a story, and the will to blend the two. Yet while cinematic games are commonplace, game-like films are not. The high-octane thriller Late Shift aims to change that. A parking attendant’s world is turned upside down when he’s forced to take part in a brazen heist, and the audience makes choices to shape the story via an app. The branching narrative is flawlessly executed, creating an in-theater experience as enjoyable for the casual viewer as the hardcore “player.” U.S. Premiere
Howard Gilman Theater, Sunday October 2, 5:30pm
Lives in Transit
Global Lives Project
Video Installation, 2015/2016, USA
The San Francisco–based Global Lives Project produces long-form documentaries that capture the rich diversity of human experience and engender cross-cultural dialogue and understanding.  Each 24-hour film provides a window onto a single day in the life of its subject. This latest iteration of the project, Lives in Transit, focuses on ten individuals who in their own ways are responsible for moving people and products throughout the world. Presented as a large-scale video installation, Lives in Transit is more than an exploration of ten unique people—it is a dynamic ground-level examination of our hyper-connected world. World Premiere
Walter Reade Theater’s Furman Gallery, October 1-16
Priya’s Mirror
Ram Devineni, Dan Goldman, Paromita Vohra, Shubra Prakash, Vikas Menon
Augmented Reality Installation, 2016, USA/India
Launched in 2014, Priya’s Shakti was a first-of-its-kind fusion of augmented reality, comic books, and social engagement. The story of Priya, a rape survivor and modern-day superhero, shattered taboos that exist in India on the subject of violence against women. The second volume of this ongoing series, Priya’s Mirror sees the heroine joining forces with acid attack survivors to take on the demon king Ahankar. As with its predecessor, Priya’s Mirror makes use of augmented reality to bring the 2D world of the comic to vivid life and unlock a number of interactive story elements. World Premiere
Walter Reade Theater’s Furman Gallery, October 1-16
Ricerca VR
Yo-Yo Lin, Will Cherry, Steve Dabal, Elle Callahan, Michael Matchen
Virtual Reality, 2016, USA, 15m
It’s no coincidence that we are so moved by stories about quests. The search—for love, for forgiveness, for meaning—is an essential aspect of our humanity. In Ricerca (Italian for “search”), a man scours his memories for something lost, traversing a lush world rendered with a vibrant mix of 2D and stop-motion animation. Originally presented as a large-scale video installation, the reimagined piece employs virtual reality to extend its life beyond the gallery space, raising a compelling question: what will the relationship be between VR and the world of fine art?
Elinor Bunin Munroe Film Center, October 1 & 2

Sherlock Holmes & The Internet of Things
Lance Weiler, Nick Fortugno
Immersive Storytelling Experience, 2016, USA
While one imagines that real criminal investigators hope for the shortest distance between crime and conviction, readers of detective fiction care more about the journey: the more twists the better. The same could be said for this ever-evolving storytelling experiment. Since its launch, participants from 20 countries have taken part in a project that uses the emergent web of connected digital devices to investigate mysteries with the world’s favorite consulting detective. For the second year, NYFF invites audiences to step into Holmes’s shoes to solve a string of crimes across Lincoln Center’s campus.
Elinor Bunin Munroe Film Center, October 1 (1:00pm, 2:30pm, 4:00pm)
Sound Hunters
François Le Gall, Nicolas Blies
Immersive Storytelling Experience, 2015, France
Long before Lawrence Lessig, Austin Kleon, and Malcolm Gladwell each dubbed this the Age of the Remix, T. S. Eliot wrote, “Immature poets imitate; mature poets steal.” With Sound Hunters, the audience makes music by recording and remixing the sounds of the world around them. Created by François Le Gall and Nicolas Blies, this multifaceted project does more than make music from the audio of everyday life; each uploaded sound is a window onto its author’s world, and every song created by the Sound Hunter community is as much a remix of distinctive life experiences as of unique audio elements.
Elinor Bunin Munroe Film Center, October 1 & 2
SPECIAL TALKS
ILMxLAB
Hilmar Koch and Nick Rasmussen, ILMxLAB
Founded in 2015, ILMxLAB fuses the talents of Lucasfilm, Industrial Light and Magic, and Skywalker Sound to create a new, collaborative space to experiment with stories across all visual media platforms—those we know well and those just being established. The lab encourages exploration, and, yes, even failure as a means for discovering new ways to tell and experience stories. Discovery is at the very heart of the lab’s work. Hilmar Koch and Nick Rasmussen will share some of their personal discoveries from their journey so far and reflect on the promise and perils of working at the frontiers of storytelling.
Saturday, October 1, 4:00pm
The Psychology of Storytelling: Lindsay Doran
Oscar-nominated producer and studio executive Lindsay Doran brings more than 30 years of experience in the movie business to bear on this examination of what the field of Positive Psychology can teach us about the secrets of writing a satisfying movie—and how our “deep-seated fear of the saber-tooth tiger” keeps them secret. Doran has served as the President of United Artists and as the President of Sydney Pollack’s Mirage Productions.  Doran’s first film credit was on the mockumentary This Is Spinal Tap. As a producer, her credits include Dead Again, Sense and Sensibility, Nanny McPhee, and Stranger Than Fiction.
Monday October 3, 2016, 6:30pm
The State of the (Interactive) Art
StoryCode’s Mike Knowlton, interactive theater director Michael Rau, filmmaker Ram Devineni, and more
The NYC Transmedia Meetup was founded as a monthly gathering of creative professionals looking to discuss the emerging field of multi-platform storytelling. By 2011, the group had evolved from a loose confederation of storytellers into a community that would become known as StoryCode. That same year, NYFF launched its Convergence section. On the fifth anniversary of both programs, StoryCode cofounder Mike Knowlton and a panel of key players from the New York interactive scene— Convergence veterans, game designers, immersive theater directors, virtual reality producers, and interactive filmmakers—reflect on where we’ve been and imagine where we’re headed.
Saturday October 1, 2:30pm
Traveling While Black: Special Preview Event
Roger Ross Williams, Bonnie Nelson Schwartz, Lina Srivastava, Yasmin Elayat
Published in 1936, the Green Book became an essential tool for African American travelers. The book consisted of a coast-to-coast listing of bars, hotels, and other businesses that were black-friendly in the age of Jim Crow. Traveling While Black presents a contemporary exploration of the issues related to restricted movement in modern-day America with a suite of experiences including a traveling museum exhibit, virtual reality films, and live events. Academy Award–winning director Roger Ross Williams will present a sneak peek of this compelling project, including a live performance, a teaser of the project’s first VR piece, and a panel discussion. 
Tuesday, October 4, 6:30 pm
NYFF 2016 PREVIEWS FROM QPORIT

Preview: MAIN SLATE, 54TH NEW YORK FILM FESTIVAL - 2016 
http://qporit.blogspot.com/2016/08/preview-main-slate-54th-new-york-film.html

Preview: AVA DuVERNAY’S "THE 13th" - NYFF 2016 OPENING NIGHT
http://qporit.blogspot.com/2016/07/preview-ava-duvernays-13th-nyff-2016_31.html

Preview: MIKE MILLS' 20th CENTURY WOMEN - CENTERPIECE NYFF 2016
http://qporit.blogspot.com/2016/08/preview-mike-mills-20th-century-women.html

Preview: JAMES GRAY’S "THE LOST CITY OF Z" - NYFF 2016 CLOSING NIGHT
http://qporit.blogspot.com/2016/09/preview-james-grays-lost-city-of-z-nyff.html

Preview: CONVERGENCE - AT THE 54TH NEW YORK FILM FESTIVAL - 2016
http://qporit.blogspot.com/2016/08/preview-convergence-at-54th-new-york.html

Preview: NYFF 2016 FILMMAKER TALKS
http://qporit.blogspot.com/2016/09/preview-nyff-2016-filmmaker-talks.html






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# posted by QPORIT @ 11:41 PM 0 comments

Friday, August 12, 2016

 

Preview: MAIN SLATE, 54TH NEW YORK FILM FESTIVAL - 2016


54th NEW YORK FILM FESTIVAL
MAIN SLATE

SEPTEMBER 30 – OCTOBER 16
2016
www.filmlinc.org/NYFF

25 features include new films from
Maren Ade, Pedro Almodóvar, Olivier Assayas, Jean-Pierre and Luc Dardenne, Alain Guiraudie, Eugène Green, Mia Hansen-Løve, Hong Sangsoo, Jim Jarmusch, Barry Jenkins, Pablo Larraín, Ken Loach, Kenneth Lonergan, Alison Maclean, Kleber Mendonça Filho, Cristian Mungiu, Matías Piñeiro, Cristi Puiu, Kelly Reichardt, Gianfranco Rosi, Dash Shaw, and Paul Verhoeven

25 important new films comprise the The Main Slate of the 54th New York Film Festival , September 30 – October 16, 2016.
Three World Premieres anchor the gala slots: Ava DuVernay’s The 13th (Opening Night), Mike Mills’s 20th Century Women (Centerpiece), and James Gray’s The Lost City of Z (Closing Night).

In addition to the Main Slate, which includes Opening Night, Closing Night, and Centerpiece Gala screenings, the 17 day 54th New York Film Festival includes
·        Special Events
·        Spotlight on Documentary, Retrospective, Convergence, and Projections sections and
·        Filmmaker conversations and panels.


This year’s Main Slate showcases award-winning films from international festivals, presented to New York audiences for the first time:
·        Selections from Cannes include Ken Loach’s Palme d’Or-winning I, Daniel Blake;
·        Olivier Assayas’s Personal Shopper
·         and Cristian Mungiu’s Graduation, which tied for Best Director;
·        and Maren Ade’s highly acclaimed Toni Erdmann, awarded the Cannes Critics’ Prize.
·        From Berlin, Gianfranco Rosi’s Golden Bear winner, Fire at Sea, will mark the director’s NYFF debut, and
·        Mia Hansen-Løve returns to the festival with Things to Come, which won her Berlin’s Best Director award.

Other festival veterans returning to NYFF include
·        Pedro Almodóvar,
·        Kelly Reichardt,
·        Hong Sangsoo,
·        Jean-Pierre and Luc Dardenne,
·        Matías Piñeiro,
·        Paul Verhoeven,
·        Alain Guiraudie,
·        Cristi Puiu, and
·        Eugène Green.

A number of celebrated filmmakers will make their NYFF debuts, such as
·        Kenneth Lonergan with his third feature Manchester by the Sea;
·        Kleber Mendonça Filho, presenting Aquarius, his anticipated follow-up to Neighboring Sounds;
·        Alison Maclean with her coming-of-age story The Rehearsal;
·        Dash Shaw, whose animated My Entire High School Sinking into the Sea is his first feature; and
·        Barry Jenkins, with his three-part portrait of a young gay African-American man, Moonlight.

Strong female performances are a prominent focus this year, with standout turns from
·        Isabelle Huppert in Verhoeven’s Elle and Hansen-Løve’s Things to Come;
·        Brazilian legend Sônia Braga in Mendonça Filho’s Aquarius;
·        Piñeiro favorite Agustina Muñoz in Hermia and Helena; and
·        Kristen Stewart, Michelle Williams, and Laura Dern in Reichardt’s triptych Certain Women, among others.

The Main Slate also features two films that bring poetry to the screen:
·        Pablo Larraín’s Neruda, a portrait of the beloved Chilean poet, and
·        Jim Jarmusch’s Paterson, which carries the spirit of William Carlos Williams through the story of a city bus driver (Adam Driver) who also writes poetry.




TICKETS


Tickets for the 54th New York Film Festival will go on sale September 11. Becoming a Film Society Member at the Film Buff Level or above provides early ticket access to festival screenings and events ahead of the general public, along with the exclusive member ticket discount.

For even more access, VIP passes and subscription packages offer the earliest opportunities to purchase tickets and secure seats at some of the festival's biggest events including Opening and Closing Nights, and Centerpiece. VIP passes also provide access to many exciting events, including the invitation-only Opening Night party, “An Evening With…” dinner, Filmmaker Brunch, and VIP Lounge. Benefits vary based on the pass or package type purchased. VIP passes and subscription packages are on sale now.

www.filmlinc.org/NYFF


The 54th New York Film Festival Main Slate


Opening Night
The 13th
Directed by Ava DuVernay
USA, 2016
World Premiere
The title of Ava DuVernay’s extraordinary and galvanizing documentary refers to the 13th Amendment to the Constitution, which reads “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.” The progression from that second qualifying clause to the horrors of mass criminalization and the sprawling American prison industry is laid out by DuVernay with bracing lucidity. With a potent mixture of archival footage and testimony from a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis. A Netflix original documentary.

Centerpiece
20th Century Women
Directed by Mike Mills
USA, 2016
World Premiere
Mike Mills’s texturally and behaviorally rich new comedy seems to keep redefining itself as it goes along, creating a moving group portrait of particular people in a particular place (Santa Barbara) at a particular moment in the 20th century (1979), one lovingly attended detail at a time. The great Annette Bening, in one of her very best performances, is Dorothea, a single mother raising her teenage son, Jamie (Lucas Jade Zumann), in a sprawling bohemian house, which is shared by an itinerant carpenter (Billy Crudup) and a punk artist with a Bowie haircut (Greta Gerwig) and frequented by Jamie’s rebellious friend Julie (Elle Fanning). 20th Century Women is warm, funny, and a work of passionate artistry. An A24 Release.

Closing Night
The Lost City of Z
Directed by James Gray
USA, 2016
World Premiere
James Gray’s emotionally and visually resplendent epic tells the story of Lieutenant Colonel Percy Fawcett (a remarkable Charlie Hunnam), the British military-man-turned-explorer whose search for a lost city deep in the Amazon grows into an increasingly feverish, decades-long magnificent obsession that takes a toll on his reputation, his home life with his wife (Sienna Miller) and children, and his very existence. Gray and cinematographer Darius Khondji cast quite a spell, exquisitely pitched between rapture and dizzying terror. Also starring Robert Pattinson and Tom Holland, The Lost City of Z represents a form of epic storytelling that has all but vanished from the landscape of modern cinema, and a rare level of artistry.

Aquarius
Directed by Kleber Mendonça Filho
Brazil/France, 2016, 142m
Portuguese with English subtitles
U.S. Premiere
A highlight of this year’s Cannes Film Festival, Kleber Mendonça Filho’s follow-up to his acclaimed Neighboring Sounds revolves around the leisurely days of a 65-year-old widow, transcendently played by the great Brazilian actress Sônia Braga. Clara is a retired music critic and the only remaining resident of the titular apartment building in Recife. Trouble starts when an ambitious real estate promoter who has bought up all of Aquarius’s other units comes knocking on Clara’s door. She has no intention of leaving, and a protracted struggle ensues. Braga’s transfixing, multilayered performance and the film’s deliberate pacing and stylistic flourishes yield a sophisticated, political, and humane work.

Certain Women
Directed by Kelly Reichardt
USA, 2016, 107m
The seventh feature by Kelly Reichardt (Meek’s Cutoff), a lean triptych of subtly intersecting lives in Montana, is a work of no-nonsense eloquence. Adapting short stories by Maile Meloy, Certain Women follows a lawyer (Laura Dern) navigating an increasingly volatile relationship with a disgruntled client; a couple (Michelle Williams and James Le Gros) in a marriage laden with micro-aggression and doubt, trying to persuade an old man (Rene Auberjonois) to sell his unused sandstone; and a young ranch hand (Lily Gladstone) fixated on a new-in-town night school teacher (Kristen Stewart). Shooting on 16mm, Reichardt creates understated, uncannily intimate dramas nestled within a clear-eyed depiction of the modern American West. An IFC Films release.

Isabelle Hupert
ELLE - NYFF 2016
Photo by Guy Ferrandis_
Courtesy of Sony Pictures Classics

 Elle
Directed by Paul Verhoeven
France/Germany/Belgium, 2016, 131m
French with English subtitles
U.S. Premiere
Paul Verhoeven’s first feature in a decade—and his first in French—ranks among his most incendiary, improbable concoctions: a wry, almost-screwball comedy of manners about a woman who responds to a rape by refusing the mantle of victimhood. As the film opens, Parisian heroine Michèle (a brilliant Isabelle Huppert) is brutally violated in her kitchen by a hooded intruder. Rather than report the crime, Michèle, the CEO of a video game company and daughter of a notorious mass murderer, calmly sweeps up the mess and proceeds to engage her assailant in a dangerous game of domination and submission in which her motivations remain a constant source of mystery, humor, and tension. A Sony Pictures Classics release.

Fire at Sea / Fuocoammare
Directed by Gianfranco Rosi
Italy/France, 2016, 108m
English and Italian with English subtitles
Winner of the Golden Bear at this year’s Berlin Film Festival, Gianfranco Rosi’s documentary observes Europe’s migrant crisis from the vantage point of a Mediterranean island where hundreds of thousands of refugees, fleeing war and poverty, have landed in recent decades. Rosi shows the harrowing work of rescue operations but devotes most of the film to the daily rhythms of Lampedusa, seen through the eyes of a doctor who treats casualties and performs autopsies, and a feisty but anxious pre-teen from a family of fishermen for whom it is simply a peripheral fact of life. With its emphasis on the quotidian, the film reclaims an ongoing tragedy from the abstract sensationalism of media headlines. A Kino Lorber release.

Graduation / Bacalaureat
Directed by Cristian Mungiu
Romania, 2016, 127m
Romanian with English subtitles
Cristian Mungiu’s expertly constructed drama concerns a doctor desperate for his daughter to escape corruption-plagued Romania by accepting a scholarship offer from a British university (after-the-fact layer of irony courtesy of Brexit), contingent on her high school final exams. But after she’s assaulted, perhaps for past sins of her father, the doctor must decide whether he will take advantage of his position to ensure that she receives high marks, despite her trauma. Parents anxious about their children’s education will appreciate the moral dilemma the film poses. Like Mungiu’s superb 4 Months, 3 Weeks and 2 Days (NYFF ’07), Graduation resonates beyond national boundaries. A Sundance Selects release.

Hermia and Helena
Directed by Matías Piñeiro
Argentina/USA, 2016, 87m
English and Spanish with English subtitles
U.S. Premiere
Shooting outside his native Argentina for the first time, New York–based Matías Piñeiro fashions a bittersweet comedy of coupling and uncoupling that doubles as a love letter to his adopted city. Working on a Spanish translation of A Midsummer Night’s Dream on an artist residency, Camila (Agustina Muñoz) finds herself within a constellation of shifting relationships (an old flame, a new one, a long-lost relative). Mingling actors from the director’s Buenos Aires repertory with stalwarts of New York’s independent film scene (Keith Poulson, Dustin Guy Defa, Dan Sallitt), Hermia and Helena offers the precise gestures, mercurial moods, and youthful energies of all Piñeiro’s cinema, with an emotional depth and directness that make this his most mature work yet.

I, Daniel Blake
Directed by Ken Loach
UK, 2016, 100m
U.S. Premiere
Unable to work after suffering a heart attack, Daniel (Dave Johns) must apply to the government for benefits. But with the seemingly endless documentation he has to provide, his lack of familiarity with computers, and the condescending attitudes of the functionaries to whom he must repeat the same information in one soul-killing encounter after another, he is all but defeated from the beginning, as is his new comrade in misery, Katie (Hayley Squires). English director Ken Loach’s thoroughly shattering film, which won the Palme d’Or at this year’s Cannes Film Festival, will strike a chord with anyone who has ever tried to negotiate their way through the labyrinth of bureaucracy. A Sundance Selects release.

Julieta
Directed by Pedro Almodóvar
Spain, 2016, 99m
Spanish with English subtitles
Pedro Almodóvar explores his favorite themes of love, sexuality, guilt, and destiny through the poignant story of Julieta, played to perfection by Emma Suárez (younger) and Adriana Ugarte (middle-aged), over the course of a 30-year timespan. Just as she is about to leave Madrid forever, the seemingly content Julieta has a chance encounter that stirs up sorrowful memories of the daughter who brutally abandoned her when she turned eighteen. Drawing on numerous film historical references, from Hitchcock to the director’s own earlier Movida era work, Almodóvar’s twentieth feature, adapted from three short stories by Alice Munro (“Chance,” “Soon,” and “Silence”), is a haunting drama that oscillates between disenchanted darkness and visual opulence. A Sony Pictures Classics release.

Manchester by the Sea
Directed by Kenneth Lonergan
USA, 2016, 137m
Casey Affleck is formidable as the volatile, deeply troubled Lee Chandler, a Boston-based handyman called back to his hometown on the Massachusetts North Shore after the sudden death of his brother, Joe (Kyle Chandler), who has left behind a teenage son (Lucas Hedges). This loss and the return to his old stomping grounds summon Lee’s memories of an earlier, even more devastating tragedy. In his third film as a director, following You Can Count on Me (2000) and Margaret (2011), Kenneth Lonergan, with the help of a remarkable cast, unflinchingly explores grief, hope, and love, giving us a film that is funny, sharply observed, intimately detailed yet grand in emotional scale. An Amazon Studios Release.

Moonlight
Directed by Barry Jenkins
USA, 2016, 110m
Barry Jenkins more than fulfills the promise of his 2008 romantic two-hander Medicine for Melancholy in this three-part narrative spanning the childhood, adolescence, and adulthood of a gay African-American man who survives Miami’s drug-plagued inner city, finding love in unexpected places and the possibility of change within himself. Moonlight offers a powerful sense of place and a wealth of unpredictable characters, featuring a fantastic ensemble cast including André Holland, Trevante Rhodes, Naomie Harris, and Mahershala Ali—delivering performances filled with inner conflict and aching desires that cut straight to the heart. An A24 release.

My Entire High School Sinking into the Sea
Directed by Dash Shaw
USA, 2016, 75m
U.S. Premiere
No matter your age, part of you never outgrows high school, for better or worse. Dash Shaw, known for such celebrated graphic novels as Bottomless Belly Button and New School, brings his subjective, dreamlike sense of narrative; his empathy for outsiders and their desire to connect; and his rich, expressive drawing style to his first animated feature. Packed with action but seen from the inside out, My Entire High School Sinking into the Sea is about friends overcoming their differences and having each other’s backs in times of crisis, and its marvelously complex characters are voiced by Jason Schwartzman, Lena Dunham, Reggie Watts, Maya Rudolph, and John Cameron Mitchell.

Neruda
Directed by Pablo Larraín
Chile/Argentina/France/Spain, 2016, 107m
Spanish and French with English subtitles
Pablo Larraín’s exciting, surprising, and colorful new film is not a biopic but, as the director himself puts it, a “Nerudean” portrait of the great Chilean poet Pablo Neruda’s years of flight and exile after his 1948 denunciation of his government’s leadership. Larraín’s heady blend of fact and fancy (the latter embodied in an invented character, straight out of detective fiction, played by Gael García Bernal) is many things at once: a loving, kaleidoscopic recreation of a particular historical moment; a comical cat-and-mouse game; and a pocket epic. Featuring Luis Gnecco, a dead ringer for the poet and a formidable actor, alongside a terrific cast. A release of The Orchard.

Paterson
Directed by Jim Jarmusch
USA, 2016, 118m
U.S. Premiere
Paterson (Adam Driver) is a bus driver who writes poetry drawn from the world around him. Paterson is also the name of the New Jersey city where he works and lives with his effervescent and energetic girlfriend (Golshifteh Farahani). And Paterson is the title of the great epic poem by William Carlos Williams, whose spirit animates Jim Jarmusch’s exquisite new film. This is a rare movie experience, set to the rhythm of an individual consciousness absorbing the beauties and mysteries and paradoxes and joys and surprises of everyday life, at home and at work, and making them into art. An Amazon Studios release.

Personal Shopper
Directed by Olivier Assayas
France, 2016, 105m
French and English with English subtitles
U.S. Premiere
Kristen Stewart is the medium, in more ways than one, for this sophisticated genre exploration from director Olivier Assayas (Clouds of Sils Maria). As a fashion assistant whose twin brother has died, leaving her bereft and longing for messages from the other side, Stewart is fragile and enigmatic—and nearly always on-screen. From an opening sequence in a haunted house with an intricately constructed soundtrack to a high-tension, cat-and-mouse game on a trip from Paris to London and back set entirely to text messaging, Personal Shopper brings the psychological and supernatural thriller into the digital age.  An IFC Films release.

The Rehearsal
Directed by Alison Maclean
New Zealand, 2016, 75m
U.S. Premiere
Alison Maclean (Jesus’ Son) returns to her New Zealand filmmaking roots with a multilayered coming-of-age story about a young actor (James Rolleston) searching for the truth of a character he’s playing onstage and the resulting moral dilemma in his personal life. Set largely in a drama school, featuring Kerry Fox as a diva-like teacher who tries to shape her student’s raw talent, The Rehearsal, adapted from the novel by Eleanor Catton, demystifies actors and acting in order to reveal the moments where craft becomes art. The same happens with Maclean’s understated but penetrating filmmaking. Her concentration on the quotidian yields a finale that borders on the sublime.    

Sieranevada
Directed by Cristi Puiu
Romania, 2016, 173m
Romanian with English subtitles
U.S. Premiere
A decade after jumpstarting the Romanian New Wave with The Death of Mr. Lazarescu, Cristi Puiu returns with a virtuosic chamber drama set largely within a labyrinthine Bucharest apartment where a cantankerous extended family has gathered forty days after its patriarch’s death (and three days after the Charlie Hebdo attacks in Paris). Rituals and meals are anticipated and delayed, doors open and close, and the camera hovers at thresholds and in corridors. As claustrophobia mounts, heated, humorous exchanges—about the old Communist days and the present age of terror—coalesce into a brilliantly staged and observed portrait of personal and social disquiet.

Son of Joseph / Le fils de Joseph
Directed by Eugène Green
France/Belgium, 2016, 113m
French with English Subtitles
U.S. Premiere
The American-born expatriate filmmaker Eugène Green exists in his own special artistic orbit. All Green’s films share a formal rigor and an increasingly refined modulation between the playfully comic, the urgently human, and the transcendent, and they are each as exquisitely balanced as the baroque music and architecture that he cherishes. His latest movie, Son of Joseph, is perhaps his most buoyant. A nativity story reboot that gently skewers French cultural pretensions, it features newcomer Victor Ezenfis as a discontented Parisian teenager in search of a father, Mathieu Amalric and Fabrizio Rongione as his, respectively, callous and gentle alternative paternal options, and Natacha Régnier as his single mother. A Kino Lorber Films release.

Staying Vertical / Rester vertical
Directed by Alain Guiraudie
France, 2016, 100m
French with English subtitles
North American Premiere
Léo (Damien Bonnard), a blocked filmmaker seeking inspiration in the French countryside for an overdue script, begins an affair with a shepherdess (India Hair), with whom he almost immediately has a child. Combining the formal control of his 2013 breakthrough Stranger by the Lake with the shapeshifting fabulism of his earlier work, Alain Guiraudie’s new film is a sidelong look at the human cycle of birth, procreation, and death, as well as his boldest riff yet on his signature subjects of freedom and desire. The title has the ring of both a rallying cry and a dirty joke—fitting for a film that is, above all else, a rumination on what it means to be a human being, a vertical animal. A Strand Releasing release.

Things to Come / L’Avenir
Directed by Mia Hansen-Løve
France/Germany, 2016, 100m
French with English subtitles
In the new film from Mia Hansen-Løve (Eden), Isabelle Huppert is Nathalie, a Parisian professor of philosophy who comes to realize that the tectonic plates of her existence are slowly but inexorably shifting: her husband (André Marcon) leaves her, her mother (Edith Scob) comes apart, her favorite former student decides to live off the grid, and her first grandchild is born. Hansen-Løve carefully builds Things to Come around her extraordinary star: her verve and energy, her beauty, her perpetual motion. Huppert’s remarkable performance is counterpointed by the quietly accumulating force of the action, and the result is an exquisite expression of time’s passing. A Sundance Selects release.

Toni Erdmann
Directed by Maren Ade
Germany, 2016, 162m
German with English subtitles
An audacious twist on the screwball comedy—here, the twosome is an aging-hippie prankster father and his corporate-ladder-climbing daughter—Toni Erdmann delivers art and entertainment in equal measure and charmed just about everyone who saw it at the Cannes Film Festival this year. Maren Ade's dazzling script has just enough of a classical comedic structure to support 162 minutes of surprises big and small. Meanwhile, her direction is designed to liberate the actors as much as possible while the camera rolls, resulting in sublime performances by Sandra Hüller and Peter Simonischek, who leave the audience suspended between laughter and tears. A Sony Pictures Classics release.

The Unknown Girl
Directed by Jean-Pierre and Luc Dardenne
Belgium, 2016, 106m
It’s a few minutes after closing time in a medical clinic in Seraing, Belgium. The buzzer rings. Doctor Jenny (Adèle Haenel) tells her assistant (Olivier Bonnaud) to ignore it. She is later informed that the girl she turned away was soon found dead on the riverside. From that moment, Jenny becomes a different kind of doctor, diagnosing not just her dispossessed patients’ illnesses but also the greater malady afflicting her community. And this is a different kind of movie for Luc and Jean-Pierre Dardenne, in which the urgency pulses beneath the seemingly placid surface, and it is all keyed to Haenel’s extraordinary performance. A Sundance Selects release.

Yourself and Yours
Directed by Hong Sangsoo
South Korea, 2016, 86m
Korean with English subtitles
U.S. Premiere
Prolific NYFF favorite Hong Sangsoo boldly and wittily continues his ongoing exploration of the painful caprices of modern romance. Painter Youngsoo (Kim Joo-hyuk) hears secondhand that his girlfriend, Minjung (Lee Yoo-young), has recently had (many) drinks with an unknown man. This leads to a quarrel that seems to end their relationship. The next day, Youngsoo sets out in search of her, at the same time that Minjung—or a woman who looks exactly like her and may or may not be her twin—has a series of encounters with strange men, some of whom claim to have met her before . . .  Yourself and Yours is a break-up/make-up comedy unlike any other, suffused with sophisticated modernist mystery.

NYFF 2016 PREVIEWS FROM QPORIT

Preview: MAIN SLATE, 54TH NEW YORK FILM FESTIVAL - 2016 
http://qporit.blogspot.com/2016/08/preview-main-slate-54th-new-york-film.html

Preview: AVA DuVERNAY’S "THE 13th" - NYFF 2016 OPENING NIGHT
http://qporit.blogspot.com/2016/07/preview-ava-duvernays-13th-nyff-2016_31.html

Preview: MIKE MILLS' 20th CENTURY WOMEN - CENTERPIECE NYFF 2016
http://qporit.blogspot.com/2016/08/preview-mike-mills-20th-century-women.html

Preview: JAMES GRAY’S "THE LOST CITY OF Z" - NYFF 2016 CLOSING NIGHT
http://qporit.blogspot.com/2016/09/preview-james-grays-lost-city-of-z-nyff.html

Preview: CONVERGENCE - AT THE 54TH NEW YORK FILM FESTIVAL - 2016
http://qporit.blogspot.com/2016/08/preview-convergence-at-54th-new-york.html

Preview: NYFF 2016 FILMMAKER TALKS
http://qporit.blogspot.com/2016/09/preview-nyff-2016-filmmaker-talks.html





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